A. C. Weaver

A. C. Weaver

Playwright, short story writer, and Yiddish translator based in Western Massachusetts.
2021 finalist for the Mass Cultural Council fellowship in dramatic writing.
I am available for freelance work in Yiddish research and translation, and as a sensitivity reader for work involving Yiddish/Jewish culture.

My theatre company is called Theater Between Addresses. We do live shows in...
Playwright, short story writer, and Yiddish translator based in Western Massachusetts.
2021 finalist for the Mass Cultural Council fellowship in dramatic writing.
I am available for freelance work in Yiddish research and translation, and as a sensitivity reader for work involving Yiddish/Jewish culture.

My theatre company is called Theater Between Addresses. We do live shows in Western Massachusetts as well as radio plays which can be found here: https://theater-between-addresses.simplecast.com/
We also can be found on Facebook and Instagram by searching "Theater Between Addresses".

Plays

  • Grains of Wheat
    This play tells the story of the Paper Brigade - a group of Jewish writers and intellectuals who risked their lives to smuggle thousands of historical documents and books, rescuing them.
    When the archives of the Yiddish Scientific Institute in Vilna Lithuania fall under control of the Nazis, fascist academics try to appropriate the collection for a propaganda museum in Frankfurt. Quickly, they realize...
    This play tells the story of the Paper Brigade - a group of Jewish writers and intellectuals who risked their lives to smuggle thousands of historical documents and books, rescuing them.
    When the archives of the Yiddish Scientific Institute in Vilna Lithuania fall under control of the Nazis, fascist academics try to appropriate the collection for a propaganda museum in Frankfurt. Quickly, they realize that they need Jewish labor to process and appraise the archive, and by necessity, conscript laborers with the very cultural consciousness that will ultimately undermine the fascist scheme,-- a vanguard of Yiddish cultural activists, whose book smuggling ring expands to weapons.
    In the second act, we return to postwar Vilna. Surviving partisans and smugglers pick up the pieces. Trauma and vengeance, tensions over the role of the archivist, and contradictions between Communism and Zionism threaten to fracture the new world built on the ashes.
    Through the eyes of songwriter Shmerke Kaczerginski, poet Avrom Sutzkever, and historian Rokhl Krinski, the play explores these questions: What do we owe to the future? What can we offer the past? In a zero-sum decision between cultural inheritance and life itself, what is the correct choice?
    In this world, the Angel of Poetry takes a dangerous interest in the lives of human beings, ghosts refuse their roles and try to change the world, books get their bearings, and living people find ways to live forever.

    All named characters in this play are real people. Poems, songs, diary entries and other primary source documents are spaced throughout the play as interludes.

    In English and Yiddish. Two acts.
  • The Generation of the Flood
    What lengths will the owning class go to to keep the masses from identifying capitalism as the cause of ecological disaster?
    Three strangers pass the time in a gilded prison. But as they learn about each other's pasts, and speculate about the nature of the ceremony they await, they begin to see the grotesque logic in why they were chosen.

    This script was written to be adaptable to stage or radio.
  • Plague Wedding
    A centuries-old Ashkenazi folk tradition gets a doomsday reboot in 2020 Western Mass, courtesy of a smooth talking local talk-show host, a wannabe jester, and a very unhappy bride and groom.

    This play was written to be adaptable to either stage or audio formats.
  • Queen Mab
    Night terrors? Heartache? Perhaps a touch of dyspepsia? That’s nothing Georgie, professional lucid dreamer, can’t handle.

    Trigger warning: This play contains pretty intense discussion of suicide.
    This stage play is designed to be easily adaptable to zoom or audio formats.
  • The Canary
    Intergenerational trauma, postmemory, and ladies in space.

    On a mission a parsec and a half away from the sun, A navigator, a biologist and a computer have to renegotiate their relationships to each other and their homeland when they lose their last anchor to earth and become unmoored from time.