Anne G. Morgan

Anne G. Morgan (she/her/hers) is a dramaturg, an arts administrator, and a new play advocate. She currently works as the Programs Director for the National New Play Network, an alliance of professional theaters that collaborate in innovative ways to develop, produce, and extend the life of new plays.

Anne works regularly with the Playwrights Realm, the Playwright's Lab at Hollins University, Great Plains Theatre Conference, the Kennedy Center, and more, as well as collaborating with playwrights individually. She serves as Board Co-Chair for Literary Managers and Dramaturgs of the Americas.

Anne received the 2019 Elliott Hayes Award for Outstanding Achievement in Dramaturgy for her work on Shakespeare’s New Contemporaries, the American Shakespeare Center's groundbreaking new play...

Anne G. Morgan (she/her/hers) is a dramaturg, an arts administrator, and a new play advocate. She currently works as the Programs Director for the National New Play Network, an alliance of professional theaters that collaborate in innovative ways to develop, produce, and extend the life of new plays.

Anne works regularly with the Playwrights Realm, the Playwright's Lab at Hollins University, Great Plains Theatre Conference, the Kennedy Center, and more, as well as collaborating with playwrights individually. She serves as Board Co-Chair for Literary Managers and Dramaturgs of the Americas.

Anne received the 2019 Elliott Hayes Award for Outstanding Achievement in Dramaturgy for her work on Shakespeare’s New Contemporaries, the American Shakespeare Center's groundbreaking new play initiative. With ASC, Anne dramaturged new plays by L M Feldman, Mary Elizabeth Hamilton, Anchuli Felicia King, Emma Whipday, and Amy E. Witting.

​From 2012 - 2017, Anne was the Literary Manager & Dramaturg at the Eugene O’Neill Theater Center where she worked on new plays by David Auburn, Bekah Brunstetter, A. Rey Pamatmat, among others. Anne has worked internationally at the Baltic Playwrights Conference, the Latvian Academy of Culture, and the Lithuanian Academy of Music and Theatre and has taught at the University of Connecticut and the National Theater Institute.

Anne currently lives in Vermont with her husband and daughter.

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Recommended by

  • I had the great pleasure of dramaturging HUMAN RESOURCES for the 2021 Great Plains Theatre Conference. This smart, engaging, opposites-attract play showcases a relationship not often glamorized onstage - coworkers whose proximity breeds care. And, in doing so during this time of social isolation, the play almost makes one nostalgic for the office. The writing is spare, specific, and very funny.

    I had the great pleasure of dramaturging HUMAN RESOURCES for the 2021 Great Plains Theatre Conference. This smart, engaging, opposites-attract play showcases a relationship not often glamorized onstage - coworkers whose proximity breeds care. And, in doing so during this time of social isolation, the play almost makes one nostalgic for the office. The writing is spare, specific, and very funny.

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    Theatrical and thought-provoking, Prima Donna is a new, original, imaginative story built on the foundation of an older tale. The play offers rich opportunities for actors and theater artists to play, and its fresh and energetic writing is sure to engage audiences.

    Theatrical and thought-provoking, Prima Donna is a new, original, imaginative story built on the foundation of an older tale. The play offers rich opportunities for actors and theater artists to play, and its fresh and energetic writing is sure to engage audiences.

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    A fresh, theatrical, and utterly compelling play built from ancient Greek myths. The nonlinear structure invites audiences to engage more deeply in the storytelling.

    A fresh, theatrical, and utterly compelling play built from ancient Greek myths. The nonlinear structure invites audiences to engage more deeply in the storytelling.

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    I am delighted to recommend this play after having had the pleasure of attending a zoom reading of this play when it was part of Hollins Playwright’s Lab 2020 Playwrights Festival. Deadline 2037 is an engaging play with a scarily realistic premise. The play has great parts for older actors, and, throughout the play, the ground keeps shifting for both the characters and the audience in really satisfying ways.

    I am delighted to recommend this play after having had the pleasure of attending a zoom reading of this play when it was part of Hollins Playwright’s Lab 2020 Playwrights Festival. Deadline 2037 is an engaging play with a scarily realistic premise. The play has great parts for older actors, and, throughout the play, the ground keeps shifting for both the characters and the audience in really satisfying ways.

  •

    I am delighted to recommend this play after having had the pleasure of attending a zoom reading of this play when it was part of Hollins Playwright’s Lab 2020 Playwrights Festival. My Shame is Your Demon is a taut and well-balanced two-hander. By teasing apart the narratives that the characters have created for themselves, the play compellingly explores culpability, memory, and family.

    I am delighted to recommend this play after having had the pleasure of attending a zoom reading of this play when it was part of Hollins Playwright’s Lab 2020 Playwrights Festival. My Shame is Your Demon is a taut and well-balanced two-hander. By teasing apart the narratives that the characters have created for themselves, the play compellingly explores culpability, memory, and family.

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