“ A truly funny and touching piece that interweaves the personal and socio-political beautifully. The play uses "What the Constitution Means to Me" and "How I Learned to Drive" as clear sources of inspiration, but the metatheatrical way in which Castle Miller wrestles with both the process and the role of playwright injects further tension and humor. "Inferna" explores what it means to be victimized oneself and complicit in the victimization of others, and reckons with the hard truth that those you've hurt are not obligated to forgive you just because someone else hurt them more. ”

“ Excellent use of language (and at times silence) and a recontextualization of the source material that adds contemporary resonance. The play brings to mind the issues of our present day, specifically the divide between radical and more moderate activism, clearly enough to have an impact but without being so heavy-handed that we feel preached to, which is quite an accomplishment considering its explicitly religious setting. ”

“ A delicate, bittersweet epic. It loves all of its characters, making each of the supporting characters multi-dimensional and complicated when a lesser play would have made them "the wife" or "the wise-cracking best friend," and in so doing creates a dramatic world with all of the contradictions and complicated feelings by and about each other that we experience in real life. At the same time, it brings to light the many differences between Forster's time and now in a fashion that is hopeful without being saccharine or naive. ”

“ Hilarious, fast moving farce that gets astonishing mileage out of its dozens of gags, but with a wonderful degree of depth that keeps it from being limited to mere entertainment. ”