“ BLUE EYES is a riveting and sincere exploration of legacy and queerness. Jacob employs a majestic plasticity infused with all of the dignity and wonders you could possibly muster. A brilliant, intoxicating portrait of three folks caught in a moment of great discovery. I could not recommend this play more. ”

“ An exceptional portrait of modern Intellectual Conservatism penned with a masterful hand. Arbery presents honesty in such a way that feels off-putting until you realize that which with its reverberating are your own biases and questions. A script that defies possibility in the theatre, and thus makes it all the more necessary.

The Play of the Moment, one we’ll be telling future theatre makers where we were when we first saw it or read its mighty text. Everyone should do whatever they can to get their hands on a copy of this play. Exceptional ”

“ Ryan crafts an engaging story about how best intentions and possibilities can be corrupted by the nature of Capitalism, Opportunity, and Violence. Ryan avoids the tropes of science fiction movies and instead focuses on the very human choices that affect our role in accordance with the possibility of technological advancement. This play is perfect for Womxn in need of Monologues and for Theaters in search of questions around ethical approaches to our (eventual) symbiosis with integrated technology. ”

“ HIGH SCHOOL COVEN is perfect for young womxn actors and audiences of all genders, creeds, and otherwise definable traits. Full of heart, horror, and sisterhood, Kaela is exceptional at luring you in with her bouncy, vibrant dialogue and then she rips the curtains from the mechanism, turning the tide of events over to the will of the audience. How will YOU respond to the battle cries of the oppressed? Exceptional, necessary, and vibrant, this is a different kind of Witches story for a society that desperately needs to hear it. ”