Missouri, a suburb near Ferguson. Paul SR and Diane are a happy, white couple, living a happy white life. Suddenly, they decide to demolish their existing, modest, ranch-style home, and in the same plot, build their ultra-modern, eco-dream home. Ballsy, in this small town. But their 12 year-old son, Paul is extremely happy about this progressive leap into the future. The adults agree that, hey, it’s the right time – the economy is stronger and the neighborhood isn’t quite so…ethnic…as before. They wonder if they should hang around, stay close to home. Should they cancel their summer, all-Missouri vacation plans during the construction? Nah, nothing bad happens to white people, so off they go! But the rains keep coming. There’s a virus spreading. Protests are forming. The site is flooding. Not even the black or Mexican workers will continue to build. Protests are getting closer. So is the virus. Somebody’s dad is sick? The architect died? What will happen to Paul SR and Diane’s all-white dream home and their all-white future? What will happen to their only son?

A judge is on a date, but each time her date, the waiter, or anyone else interprets the Constitution in a way she doesn't agree with, she starts to get physically ill. When threats are made, the situation turns tense -- can Puke Woman save them all?

Edward Snowden is trapped in a small Russian airport. To stave off insanity, he invents a
Russian character and personae for a stapler he found in a desk drawer, and talks with and to it, as well
as his constant companion – his cat. But more than this, Snowden seems to be very interested in the
Holographic Principle. The principle – which essentially states that all the information about the
contents of (or volume of) a black hole can be determined by the matter infused into the edges of a
black hole – has Snowden’s synapses firing in a pleasing manner for the first time in this leak-turned-
escape ordeal.

While Snowden and his (then) current situation are at the forefront of the story, spacetime
becomes appropriately fluid as characters weave their way into and out of Snowden’s airport world. We
meet a version of his girlfriend, his father, his mother, Angela Merkel, CIA operatives, British Secret
Forces operatives, Snowden’s lawyer, a Buddhist Monk, and others as Snowden attempts to navigate his
world and decide where to proceed as the situation becomes increasingly dire. Beyond the eminent
encroaching of the United States government on Snowden, now the US’s most-wanted man, is the fact
that through the window of the small airport utility room, a black cloud (one that in fact resembles a
black hole) is beginning to swallow up the outside world. How does Snowden get out of this one?

The Holographic Principle is used in this piece not merely to affix a high-minded scientific
concept to a relevant international storyline, but instead is used (through the lens of the theatrical) to
delve into what it is we all owe one another, if the very fabric and nature of our existence is in question.
If there are in fact potentially an infinite number of multiple universes, layered on top of one another,
then our mere notions of “right” and “wrong” are to be challenged. Who better to challenge them than
one of America's most polarizing figures – the hero or the traitor, Edward Snowden