“ Trash is such a perceptive play, both about the charming man at its center, who repeatedly takes advantage of young people, and about the teenagers who are initially drawn to him. Mulley somehow manages to tell the story in a way that is simultaneously deeply uncomfortable and impossible to turn away from. Maybe part of it is the elegant structure, with simple, precisely crafted scenes for two actors building to an emotionally savage climax. ”

“ Linchpin is funny, timely, and theatrical to its bones. I love the way Arky has conceived stage-space -- i.e. the space of Maxine's head -- and that rolls over into the really sharp way he plays on her relationship to the audience. This is a show of vivid characters and vibrant images, in service of a lively portrait of depression and millennial malaise. ”

“ I've loved this play from the first time I read it. It's hilarious and heartfelt and full of delightful inventions. Mondi captures his characters with such warmth that you love to spend a whole night in a mobile home toilet with them. Its wisdom about relationships and difficult life transitions sneaks up in ways too clever to spoil. I'm dying to see it in production! ”

“ Part of what's so impressive about this play, to me, is how Sobler crystallizes a broad and depthless historical tragedy into an utterly clear dramatic moment. That ability allows her, without crowding the play with nudges or winks or post-modern tricks, to draw unmistakeable connections to today, and to eternal questions of moral responsibility and of courage. She takes a something overwhelming and brings it right back to a (tense, funny) dinner with neighbors, to the (beautifully drawn) inner dynamics of a marriage, to the (heartbreaking) connection between two women. ”