Recommended by Evan Spreen

  • Evan Spreen: Don't Flip Your Snood

    A great little play about turkeys! Pacing, timing, and humor all top notch!

    A great little play about turkeys! Pacing, timing, and humor all top notch!

  • Evan Spreen: The Dove

    “The Dove” is a wonderful example of well paced dialogue with a fantastic structure that draws the audience in with every line. It’s always amazing when you find well written characters that are practically begging for analysis and portrayal, despite the play being relatively short. Well done.

    “The Dove” is a wonderful example of well paced dialogue with a fantastic structure that draws the audience in with every line. It’s always amazing when you find well written characters that are practically begging for analysis and portrayal, despite the play being relatively short. Well done.

  • Evan Spreen: ANTAGONISM, OR, SOME PEOPLE LIKE TO P*SS IN THE POOL [A 1-MINUTE PLAY]

    An absolutely charming little piece. Again, Mr. Martin captures a startling amount of feeling in barely a minute. Perfect title.

    An absolutely charming little piece. Again, Mr. Martin captures a startling amount of feeling in barely a minute. Perfect title.

  • Evan Spreen: Fading Fast, A Science Fiction One-Act for Zoom or Stage

    “But what about when I don’t want to want what I want?”

    An extremely well executed look at the future of technology and consumerism. Ms. Mazunik’s work with metaphors is outstanding and quite chilling at moments.

    “But what about when I don’t want to want what I want?”

    An extremely well executed look at the future of technology and consumerism. Ms. Mazunik’s work with metaphors is outstanding and quite chilling at moments.

  • Evan Spreen: ABANDONMENT [A 1-MINUTE MONOLOGUE]

    So simple and yet so full of power. I’m in awe at Mr. Martin’s ability to move and affect you on such a personal intimate level with barely a paragraph.

    So simple and yet so full of power. I’m in awe at Mr. Martin’s ability to move and affect you on such a personal intimate level with barely a paragraph.

  • Evan Spreen: Unity

    Oof! I think I’ve had this flavor of panic attack before. Captures hard to define aspects of self-doubt and existential dread in exactly 347 words. A great example of a skilled writer accomplishing so much with barely any paint on the brush. Bravo.

    Oof! I think I’ve had this flavor of panic attack before. Captures hard to define aspects of self-doubt and existential dread in exactly 347 words. A great example of a skilled writer accomplishing so much with barely any paint on the brush. Bravo.

  • Evan Spreen: What Did You Think Of Me?

    A great exercise in dialogue by Mr. Taube. Characters are well written and begging to be explored by talented actors. Taube writes between the lines and captures both female voices with skill. Would love to see this staged.

    A great exercise in dialogue by Mr. Taube. Characters are well written and begging to be explored by talented actors. Taube writes between the lines and captures both female voices with skill. Would love to see this staged.

  • Evan Spreen: The Time Travelers

    This was great! Would make a lovely opener. It’s frantic and fun and manages to capture time travel in a very simple way (an impossible thing!)

    This was great! Would make a lovely opener. It’s frantic and fun and manages to capture time travel in a very simple way (an impossible thing!)

  • Evan Spreen: I WILL NEVER PLAY HAMLET

    I love this monologue in contrast with “I will never play Juliet”, I wonder if they were performed together in the past? It captures the subtle differences of male and female ego when in direct comparison. Would truly be a joy to see both of these performed as they are so skillfully written as to provide so much to work with for the actors delivering them.

    I love this monologue in contrast with “I will never play Juliet”, I wonder if they were performed together in the past? It captures the subtle differences of male and female ego when in direct comparison. Would truly be a joy to see both of these performed as they are so skillfully written as to provide so much to work with for the actors delivering them.

  • Evan Spreen: I WILL NEVER PLAY JULIET

    A very strong monologue in an honest female voice. Captures the true nature of the envy, disappointment, and regret that surely every actor has experienced but rarely was able to express so eloquently. I can see this monologue complimenting the style of so many older female actresses while allowing them ample exploration of the beats within.

    A very strong monologue in an honest female voice. Captures the true nature of the envy, disappointment, and regret that surely every actor has experienced but rarely was able to express so eloquently. I can see this monologue complimenting the style of so many older female actresses while allowing them ample exploration of the beats within.