Sara Farrington

Sara Farrington

Sara Farrington is a New York based playwright. She is a champion of the avant garde in New York, a theater evangelist, relentless DIY-er, passionate about big plays with big characters, twisting and reinventing narrative, innovating form, never doing the same thing twice and always working in collaboration with every artist in the room. She and husband Reid Farrington are the co-founders of Foxy Films, a...
Sara Farrington is a New York based playwright. She is a champion of the avant garde in New York, a theater evangelist, relentless DIY-er, passionate about big plays with big characters, twisting and reinventing narrative, innovating form, never doing the same thing twice and always working in collaboration with every artist in the room. She and husband Reid Farrington are the co-founders of Foxy Films, a theater company that collaborates with choreographers, actors and designers. Foxy Films anatomizes cultural icons, blending new media, narrative and dance with contemporary playwriting.

Sara's work has been nominated for two Drama Desk Awards (Unique Theatrical Experience & Outstanding Projection Design). Her work has been funded by The New Jersey State Council on the Arts, The Venturous Fund, The New York State Council for the Arts, The Axe-Houghton Foundation, MediaTHE, The Arch & Bruce Brown Foundation and others. She and Foxy Films have been critically acclaimed in The New York Times, The New Yorker, The Wall Street Journal, The Village Voice, Vice, American Theatre Magazine and many more.

She received her MFA in playwriting from Brooklyn College with Mac Wellman. She studied theater and acting at Connecticut College and The National Theater Institute @ The Eugene O'Neill Center. She interned at The Wooster Group and was an acting company member at The Jean Cocteau Repertory from 2002 - 2005.

Sara's book, The Lost Conversation: Interviews With an Enduring Avant-Garde, (out now!) published by 53rd State Press. Originally written as a long-form interview series for The Brooklyn Rail, Sara interviews legendary theater artists of the NYC avant-garde specifically on how they survived in their early days in New York.

Sara, Reid and Foxy Films are recipients of the New Jersey State Council on the Arts grant for the film version of their piece Mendacity, about Lindsey Graham, Tr*mp, Jared & America & the madness of 2020 crammed into a Tennessee Williams universe. This film premiered at NYC Indie Theatre Film Festival, Feb 17th, 2023 and you can rent it now at Vimeo!

Sara and Reid & Foxy Films were part of the Spring 2023 season at The Mercury Store, Brooklyn NY for Dora Maar, a sprawling work about the surrealist photographer and artist Dora Maar. This piece will premiere at The Brick Theater's Brick Aux Gallery & Performance Space, Williamsburg, Brooklyn in November 2024.

Sara's new play, A Trojan Woman, her interpretation of Euripides' The Trojan Women, will open regionally at Luna Stage in West Orange, NJ in March 2024. A Trojan Women is directed by Meghan Finn and performed by Drita Kabashi. The play was originally commissioned and presented by The Interbalkan Theater Festival of Ancient Drama in Athens, Greece in Summer 2023.

Sara recently adapted Lucky Breaks, by Yevgenia Belarusets with director Jaclyn Biskup and The Mill as part of Now-In-Process @ The New Ohio Theatre, NYC. The piece was presented in workshop on Feb 1 & 2, 2023 at The New Ohio, and will open at The Brick in Fall 2024.

Sara is also (finally) working on her first novel with coach and editor, Nancy Rawlinson.

Sara is a recent HARP Artist at HERE Arts Center to create CasablancaBox, an exploration of the making of America's favorite movie. CasablancaBox was directed by Reid Farrington and premiered at HERE April 2017 with 2 Drama Desk Award nominations.

Other work includes BrandoCapote, another collaboration with Reid & Foxy which opened at The Tank in November 2019 with workshops at The Tank in Winter 2018, again at Art House in Jersey City, Feb/ March 2019. BrandoCapote is a dance theater piece diving into the male psyche through Brando's filmography and Capote's profile of the actor, The Duke in His Domain.


Sara was a AFO Solo Collective Artist for her play Honduras, about her work with Immigrant Families Together. Tours/performances include: Phoenix Theater Ensemble @ The Paradise Factory, NYC , The Edward Hopper House, Nyack, NY, The ONE Festival, NYC, The Int'l Human Rights Arts Festival, So-Fi Festival, Judson Mem'l Church, The Tank, The Michael Chekhov Theater Festival, Ridgefield CT, Gnome Haus, Providence, RI.

Sara is also an audiobook narrator. Her narration work can be found at Audible.com. Sara also brought down a serial sexual predator in the voice over industry. Read all about it at CNN.com.

Other recent plays include:

Leisure, Labor, Lust, about 3 days in New York in 1907. This play premiered at The Tank, March 28th - April 22nd, 2018. Leisure, Labor, Lust is directed by me and has been developed and presented at: Art House Productions, Jersey City, NJ. The Mount, Edith Wharton's Estate, Lenox, MA, HERE Arts SubletSeries and JACK, Brooklyn, NY with financial support from The Arch & Bruce Brown Foundation.

Cosmicomics, Commissioned by The Flea Theater but never opened first because of Covid, then because of the labor abuses at The Flea.

The Return, directed by Reid Farrington, celebrates the historic and scientifically groundbreaking restoration of Tullio Lombardo's Renaissance sculpture Adam, which fell to the floor of the Met in 2002. The piece ran July/Aug 2015.

Near Vicksburg, about love and war in a cave in Vicksburg premiered at Incubator Arts Project, with subsequent showings at Walkerspace, Foxy Films and The Wild Project.

Requiem For Black Marie, about the Brecht Machine premiered at Incubator Arts Project, Foxy Films and Stella Adler Studios, directed by Paul Takacs.

Mickey & Sage, about 2 kids, played by adults, making sense of the universe, premiered at Incubator Arts Project with workshops and showings at Foxy Films, Great Plains Theater Conference, National Theater Institute @ O'Neill Center. The play had its regional premiere at the ShelterBelt Theater in Omaha, NE with other regional productions across the US. Mickey & Sage is published by Broadway Play Publishing, Inc.

Other work includes:

The Vultures (Weasel Festival)
That Stays There (Great Plains Theater Conference, Bushwick Starr Reading Series, Little Theater @ Dixon Place),
The Death of Evie Avery (FringeNYC),
The Rise & Fall of Miles & Milo (FringeNYC, winner: Outstanding Playwriting).

She lives in Maplewood, New Jersey with husband Reid Farrington and little sons Jack Reiss and Frederick Levi and their dog, Paige. Sara is a 9-5 working mom, a runner, yoga practitioner, avid reader, lover of history, art, music, fiction, animation, classic Simpsons, resister of fascist American regimes, champion of #MeToo, toppler of sexual predators in the voice-over industry (read all about it!), original founder of Immigrant Families Together.

Plays

  • A Trojan Woman
    In a flash of modern warfare (Gaza? Israel? Ukraine? Afghanistan? Vietnam? Poland? Hiroshima?), a mother loses her child. In her moment of tragic realization, she becomes a Trojan woman, performing every iconic character in Euripides play.
  • Mendacity
    [FULL LENGTH] Mendacity is a terrifying, comedic and ‘pataphysical imagining of the three months between Nov 3rd, 2020 and Jan 20th, 2021 told through a transformed version of Tennessee Williams' Cat on a Hot Tin Roof and the added element of new media & video projection.
  • BrandoCapote
    [FULL LENGTH] BrandoCapote is a multimedia dance theater piece inspired by a 1957 New Yorker magazine profile of the actor by Truman Capote.Disguised as an interview, BrandoCapote evolves into our own version of In Cold Blood, Capote's true crime masterwork. In BrandoCapote, like In Cold Blood, Capote puts a human face on an inhuman act, exposing generations of toxic masculinity, abuse and violence.
  • CasablancaBox
    [FULL LENGTH] CasablancaBox is an exploration into the accidental nature of great art through the lens of the classic Casablanca. With an intricately woven multi-narrative script and video score, CasablancaBox is an imagined "making of" and an immersion into the glamour, war, censorship, sexism, racism, addiction and refugee crisis of 1940s Hollywood. Both madcap and affecting, with an intricately...
    [FULL LENGTH] CasablancaBox is an exploration into the accidental nature of great art through the lens of the classic Casablanca. With an intricately woven multi-narrative script and video score, CasablancaBox is an imagined "making of" and an immersion into the glamour, war, censorship, sexism, racism, addiction and refugee crisis of 1940s Hollywood. Both madcap and affecting, with an intricately woven multi-narrative script and video score, CasablancaBox is an imagined "making of" tribute to the movie you thought you knew.
  • Leisure, Labor, Lust
    [FULL LENGTH] Leisure, Labor, Lust is a queer psychodrama, set in two opposing versions of New York City in 1907: the opulent world of Edith Wharton uptown and the squalid world Jacob Riis downtown. Sparked by a suicide, four characters toss their tangled versions of an ever-expanding narrative back and forth, reenacting their unreliable memories, jumping in and out of time, space, character and gender. The...
    [FULL LENGTH] Leisure, Labor, Lust is a queer psychodrama, set in two opposing versions of New York City in 1907: the opulent world of Edith Wharton uptown and the squalid world Jacob Riis downtown. Sparked by a suicide, four characters toss their tangled versions of an ever-expanding narrative back and forth, reenacting their unreliable memories, jumping in and out of time, space, character and gender. The fifth character is a stranger, Delancey Morris, who is never seen, but holds the other four others' lives in the balance.
  • Mickey & Sage
    [FULL LENGTH] Mickey’s dad and Sage’s mom are really, really good friends. Every day after school, Mickey’s dad drops Mickey off at Sage’s house and the two kids (played by adults) are forced to play together in Sage’s tightly fenced-in backyard while the parents are “hanging out.” The kids spend the endless hours rationalizing adult behavior, making sense of the cosmos, spying on their disturbing neighbors and...
    [FULL LENGTH] Mickey’s dad and Sage’s mom are really, really good friends. Every day after school, Mickey’s dad drops Mickey off at Sage’s house and the two kids (played by adults) are forced to play together in Sage’s tightly fenced-in backyard while the parents are “hanging out.” The kids spend the endless hours rationalizing adult behavior, making sense of the cosmos, spying on their disturbing neighbors and surviving each other. Both funny and tragic, Mickey & Sage examines the clarity, beauty and brevity of childhood by constantly asking, “What happens to people?”
  • Dora Maar
    DORA MAAR is a theatrical cubist portrait of the artist Dora Maar, blending live music, visual art making, playwriting and movement. Five performers play Dora, traversing her life as a surrealist photographer, anti-fascist activist, famous collaborator and artist in wartime. Dora Maar is a psychological descent into the artist as survivor, practitioner and historically ignored voice.
  • Lucky Breaks
    Lucky Breaks is a stage adaptation of selected short stories from Lucky Breaks, written by Yevgenia Belorusets, reimagined by playwright Sara Farrington, directed by Jaclyn Biskup, and devised and performed by our ensemble of five female actors. The stories are often bleakly comic, beginning and ending abruptly, depicting the haunting effects of the 2014 Russian invasion on the lives of civilian women. A woman...
    Lucky Breaks is a stage adaptation of selected short stories from Lucky Breaks, written by Yevgenia Belorusets, reimagined by playwright Sara Farrington, directed by Jaclyn Biskup, and devised and performed by our ensemble of five female actors. The stories are often bleakly comic, beginning and ending abruptly, depicting the haunting effects of the 2014 Russian invasion on the lives of civilian women. A woman who runs a flower shop vanishes suddenly and no one asks questions. In another, a woman takes her war-induced rage out on her broken umbrella. In another scene, a woman on a crowded street suddenly decides she can no longer walk and renders herself forever a “living monument.” The absurdist tone and language of each brief story are transformed into a physical score, bending reality to capture the rootless tortured experience of female victims of war and occupation.
  • Near Vicksburg
    [FULL LENGTH] On May 18th, 1863 Union troops fell upon the river city of Vicksburg, MS and fought for it until July 4th, a total of 47 days. To escape the relentless artillery fire, mortar attacks and bombardments, the citizens of Vicksburg, mostly women, children and soon-to-be-former slaves, dug and hid in a series of 500 caves in the hills and bluffs of the city. Near Vicksburg is about three people hiding...
    [FULL LENGTH] On May 18th, 1863 Union troops fell upon the river city of Vicksburg, MS and fought for it until July 4th, a total of 47 days. To escape the relentless artillery fire, mortar attacks and bombardments, the citizens of Vicksburg, mostly women, children and soon-to-be-former slaves, dug and hid in a series of 500 caves in the hills and bluffs of the city. Near Vicksburg is about three people hiding in a cave: Jane, a Southern woman, her husband's slave, George, and Jane's teenaged daughter. As the war rages inches away, Jane and George create their own version of society in the claustrophobic cave, with its own set of rules, boundaries, language and physicality.
  • Honduras
    [FULL LENGTH - ONE-WOMAN SHOW] One woman plays Honduran mothers and children seeking asylum, ICE officers, gangsters, sex traffickers, murderous extortionists, privileged American moms, Texas truckers, The Incredible Hulk and many more. Inspired by true stories that Sara Farrington heard from the mothers who lived them while working for an organization she helped found in 2018, Immigrant Families Together.
  • Cosmicomics
    [FULL LENGTH] A little triceratops journeys the development of the known universe, from the death of the dinosaurs all the way to a climate change ruined world, buried in plastic, all in search of the perfect family. A perfect play for elementary, middle and high schoolers, both in cast and audience. Very loosely inspired by characters in Italo Calvino's short stories.
  • The Rise and Fall of Miles and Milo
    [FULL LENGTH] Miles and Milo are the two most brilliant, multi-talented, multi-genred artists in the entire known universe. Each day they sit outside an arts funding organization, The Sunshine Foundation, protesting what they believe is a deliberate attempt to hold them down. Until one day, the Sunshine Foundation grants them unlimited funds. Slowly but surely, these two incredible artists spiral downward into...
    [FULL LENGTH] Miles and Milo are the two most brilliant, multi-talented, multi-genred artists in the entire known universe. Each day they sit outside an arts funding organization, The Sunshine Foundation, protesting what they believe is a deliberate attempt to hold them down. Until one day, the Sunshine Foundation grants them unlimited funds. Slowly but surely, these two incredible artists spiral downward into bland, repressed, NPR-listening drones. An hysterical, poignant and farcical look at the struggles of an artist in a commercially driven world.
  • The Vultures
    [ONE-ACT] A one-act play adaptation of the very obscure, probably never read, World War II-era noir novel, Sally's in The Alley, by Norbert Davis. This play is a hilarious spoof of film noir style, language and aesthetic, set in a twisted world of talking and smoking vultures, gigantic dogs and murders in the desert.