Recommended by Heather Helinsky

  • When Mountains Move
    7 Mar. 2018
    As Stacey's dramaturg for the Lee University premiere, I witnessed the transformation of this play from the copious amounts of research on the history of Harlan County, Kentucky to an epic journey of a community of women who are cut off by both the landscape & corporate greed, and must band together to fed for themselves. We need to be listening to stories from this region of the country. The responses from the talkback praised Stacey for the authenticity of the writing. If you're looking for a woman-empowering play about faith, doubt, anger, perseverance, humor, & community--produce this one.
  • To Fall in Love
    17 Jan. 2018
    "Y" produce this play? Small, nuanced moments, carefully crafted, character-centered storytelling. I was definitely along for the emotional ride with Wyatt and Merryn as they navigate a way forward through their grief.
  • THIS HAPPENED ONCE AT THE ROMANCE DEPOT OFF THE 1-87 IN WESTCHESTER
    25 Oct. 2017
    If you're looking for a play that has that feeling of "Cheers"---where lonely people gather for companionship and hope for the possibility of romance, take a moment to pull off the superhighway and give this one a read. But this is more than a sit-com or rom-com genre---Gina's writing is relentless, full of energy, full of questions, and not afraid of dealing with tough conversations about past pain. I also liked the metaphor of the piano in this store, and why it's there.
  • Communion.Alone
    12 Sep. 2017
    Robin’s plays often dramatize characters who are outsiders. The questions this play raises in this small town are “who goes, who stays, who belongs, who wins, and who ultimately loses?” All of her characters are forced to take a “side”---something that feels relevant right now. I also appreciate the metaphor of coming home to a community with a lot of fog and dirt. It's hard to cleanse ourselves of the dirt of our past. And when we absent our voices from the community, we perhaps allow darker forces to roll in and bulldoze over others.
  • Jilt
    4 Sep. 2017
    I highly enjoy plays that take us away to another world, but the world depicted in JILT, unfortunately, is rather close to our own. Even though this is a "near-future" world, it's more than just a dark mirror that reflects our own. Jae is trying to pursue justice for Aika in a world where language is manipulated by the powerful. Jennie Webb's use of language is jarring, playful, and pointed. Language in this play describes, normalizes, and cages us in. I hope this play gets an opportunity to go from the page to stage soon.
  • Hath Taken Away
    4 Sep. 2017
    Intimate story of three young Christians, struggling with similar questions to the biblical Job: abandonment, where is God right now, why are these events happening to me? I enjoyed the red/white imagery, and the significance of the events occurring over the Easter weekend. Well rendered.
  • INTENTIONS
    10 Jul. 2017
    Why is "the human element" always bringing chaos to a Utopian society? Because of course, ideals are difficult to live with. In this self-aware new comedy, read recently at Great Plains Theatre Conference, Nell has to decide if she is going to truly live by her ideals when one of her fellow farm-mates brings home a "dude". I love the twist when we see Leif genuinely trying to embrace the community, in his own way. He may be one of the elements of chaos to the community, but it's really human nature and good intentions that get parodied the most.
  • La Llorona
    19 Jun. 2017
    From the first time I read this play in 2015 to when I saw the Boston Playwrights production in May 2017, I was impressed by Raker's re-imagining of this Southwestern myth. It questions how young women are raised, their image of body and self, and relationship with the world. Will these three young women get turned away by St. Peter at the gate, like La Llorona? This piece, like water, flows organically through important feminist questions in a relatable, funny, irreverent way.
  • The City in the City in the City
    19 Jun. 2017
    Vivid, intense, fluid storytelling. It's hard to replicate the feeling of the first time you read ARABIAN NIGHTS or ALICE IN WONDERLAND, but this one will take you down the rabbit hole. This play will make you feel both overwhelmed by the city, lost in the crowd, but also an individual who has the right to laugh & grieve. This piece deals with loss and abandonment; I feel in good hands with Capodicasa's poetic writing. Audiences will purchase a ticket to Mastavia, and after visiting (if they can find their way out of the labyrinth), will leave cathartically changed.
  • Popcorn Girl
    14 Jun. 2017
    Within this well-made play is a deep passion for silent film, and the kinds of characters who truly revere them. Using the characters of a young drifter and an elderly film aficionado, the audience will enjoy both a sweeping look at the history silent films and deeper insights. Yet beneath the sun-kissed surface, it's also a story about the quirky individuals who come to live in LA in the shadows, and Abley's dialogue really captures affectionately their lives and motivations.

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