Recommended by James Perry

A thrilling ride with biting humor and a chilling twist. Who doesn’t love a good pun? This entertaining script from Evan Baughfman will leave you unsettled in the best possible way.

A captivatingly dark comedy that subverts traditional horror conventions, delivering a sharp critique of the genre. The Slasher defies the menacing and emotionless killer trope, turning what should be a terrifying figure into an employee simply fulfilling the mundane responsibilities of his occupation. A perfect mix of satire and suspense, sure to engage both horror fans and comedy enthusiasts alike.

A sharp, entertaining exploration of self-awareness, human flaws, and the absurdity of existence.

A juxtaposition of childhood innocence against adult jealousy, this brief play presents an intriguing premise.

Through innovative staging and heartfelt dialogue, Doan successfully captures the tension between creation and critique. The interplay of live performance with cinematic projections adds a visually stunning layer, ensuring this play will deliver a unique theatrical experience.

This play features several dark and complex themes coalesced into a narrative that questions the boundaries of vulnerability and control. “Rendezvous” avoids clear moral resolutions, leaving the audience to grapple with the complexity of Marvin’s actions and Tina’s decision to stay. While its explicit themes and unsettling moments may alienate some audiences, the play’s raw portrayal of loneliness and desperation offers a valuable commentary on the darker facets of human connection.

This play walks a fine line between bold exploration and gratuitous provocation, but I believe its explicit nature serves a greater artistic purpose. Hansen has written a bold narrative that pushes theatrical boundaries and offers a look at the vulnerable, and often contradictory, desires of emerging adulthood.

“Symposium” is a bold manifestation of modern masculinity and existential angst. Its unflinching dialogue and raw honesty make it an impactful piece of work.

When Sally uncovers an antique phone linked to a traumatic childhood memory, the play plunges into an emotional exploration of grief and the universal longing for closure. The metaphysical premise commands the audience to consider the inevitable consequences of altering the past. Perfectly suited for intimate productions, this ten-minute play combines levity, suspense, and heartache into a powerful portrayal of love and loss.

With “In the End,” Ross Peter Nelson navigates the unsettling terrain of existence, death, and desire. The play’s unique premise draws the audience into a world where a carnivorous chair becomes both a literal and metaphorical symbol of consumption. The language hovers between absurd humor and profound philosophical inquiry, heightening the tension between comedy and tragedy. A fascinating examination of humanity’s darker instincts.