Recommended by Jillian Blevins

  • Don't Touch The Carrot Cake
    30 Dec. 2023
    This absurdist bake-off yields a delightful layer cake of a play. Imagine if Kafka watched The Food Network, or Albee was a fan of Mary Berry—then you might get something that comes close to DON’T TOUCH THE CARROT CAKE. However, Emily McClain goes a step beyond disorienting surrealism with a slyly, subtly feminist cri de coeur: why are the expectations placed on women so ridiculous? Why do we pretend they’re not? Are we all participating in a game that’s impossible to win?
  • Live, Laugh, Lobotomize
    27 Dec. 2023
    The funniest play about depression that I've ever read. This hysterical short accomplishes so much in so few pages: original, evocative world building, dynamic and specific characters who leap off the page, and gut-busting, laugh-out-loud one-liners. Rae Dunn decor mashed up with dark fantasy and some earnest, moving messaging about what we have to live for when we're in our darkest places. Jacquelyn Floyd-Priskorn evokes a female millennial Neil Gaimon here--and that's a high compliment.
  • The Unexpected Delight of Snow Birds
    27 Dec. 2023
    A funny and tender holiday play about grief, loss, love, and new traditions. THE UNEXPECTED DELIGHT OF SNOWBIRDS has so much going for it: plumb roles for older actors, snappy dialogue, great visuals, and creative insults that would make Shakespeare nod appreciatively; most importantly, at its center there lies a relatable truth about how grief is heightened during the holidays, and a moving example of the ways we can hold each other through it. This short would be an excellent addition to any holiday festival.
  • (re)Dressing Miss Havisham
    14 Dec. 2023
    In this feminist examination of Dickens’ archetypical tragic spinster, John Minigan’s impressive research skills are on full display. In fact, they’re part of the play itself, as an actress who identifies with Miss Havisham tries to understand why Dickens created her as he did, why she died, and how her loneliness, pride and shame may be reflected in her own life—even as she insists that unlike her subject, she is happy and free. Part adaptation, part literary criticism, and part true crime investigation, this one-woman show packs a well-earned emotional punch.
  • FROZEN FLUID
    25 Nov. 2023
    An astonishing play. In rhythmic cadences evocative of heartbeats, dripping water, tides, three characters endure a slow-motion apocalypse and the human need—and fear—of being known.

    FF is about gender, and also transcends it. Tay, Jamerson’s nonbinary protagonist, speaks the play’s themes most directly: about their desire to exist outside of their body, and feeling most themself when not being perceived. Yet all three characters buck against the outside world’s attempts to define them, and posses a universally relatable desire to be embraced in all their contradictions, pleading “stop telling me I don’t exist”.
  • You Have Earned Bonus Stars
    11 Nov. 2023
    What makes a good person? Vince Gatton’s darkly comic existential road trip play doesn’t offer easy answers, but it does one better: it allows us to wonder.

    YOU HAVE EARNED BONUS STARS is most powerful in its theatrical dream sequences, revealing its protagonist’s repressed shame and self-recrimination alongside a+ visual punchlines (a priest, a rabbi and an imam walk onto a plane…).

    Surviving violence—or not—doesn’t erase your past or wipe clean your karmic slate. The beauty of YHEBS is in how it not only contends with nuance and moral ambiguity, it revels in it.
  • Secondhand Soul
    31 Oct. 2023
    Spooky, punny, with a disdain for cardio and a queer romance? Sign me up! SECOND HAND SOUL is a Halloween short with a soft, gooey heart. Full of opportunities for designers to have a field day (both with atmosphere and the character of Damon) Ava Love Hanna’s spooky-season offering would be a highlight of any festival. While the overwhelming experience of the play is fun and silly, there’s a moving thread exploring how a religious upbringing can continue to fill us with fear and shame, even when we think we’ve grown past it.
  • EYES OF PUREST GOLD
    30 Oct. 2023
    EYES OF PUREST GOLD is, on one level, a fable about the sin of greed; like King Midas, this father’s obsession with wealth ultimately harms his child. More interesting, however, is how the play itself is a series of nested dreams, eschewing traditional structure in favor of nightmare logic that feels both authentic and unnerving. Also at play are Cross’ theatrical footnotes in the form of student presentations. In these structural elements, the play calls to mind the cult horror novel “House Of Leaves”—and like the famously re-readable tome, EOPG is a labyrinth you’ll want to renter.
  • Cassie Strickland Is Not Under the Bed
    29 Oct. 2023
    Someone used Clay’s gun to do a bad thing. Now he needs the gun to protect himself from the forces that want him to pay (both human and decidedly not). CASSIE STRICKLAND… is part of Gatton’s broader storyline about gun violence and its impacts; the depth of the world-building, character backstory, and blanks left to be filled in makes this parable about guilt and responsibility stand on its own, and stand out from similar ten-minute plays.
  • The Adventures of Pat the Exterminator: The Laboratory
    26 Oct. 2023
    THE LABORATORY is perfect Halloween-play-festival fare: satirical and spooky, with a hilarious juxtaposition of genre.

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