Recommended by Ricardo Soltero-Brown

  • "DISH BITCH": A MONOLOGUE
    6 Jul. 2023
    I don't know how he does it, but Wyndham keeps coming up with the most engaging moments for audiences, albeit the most desperate for his characters. There are all sorts of variations on the theme of class here, that Wyndham includes homelessness in the piece is a stroke of genius. The impossibility of this man's situation is why Wyndham is so great a monologuist, we're forced to question our understanding of empathy. In an age where forgiveness and understanding are rejected for any reason possible, Wyndham's work is a breath of fresh air. Wyndham's work should be in festivals/solo-evenings.
  • Cabana Boy
    3 Jul. 2023
    There are only three things to do in the Keys: drink, fish, and have affairs. Miriam and Alex are interested in the first and third. PMW drops hints from the beginning with literature jokes and references. A treatise at times on dramatic narrative, this play certainly tickles some intellectual fancies. That said, this is some of PMW's most accessible writing as it walks the tightrope from tension to comedy. Hitchcock said something about playing seduction like a murder. That watching these fully-developed characters navigate the complexities, subtleties, tactics, and vulnerabilities of sexuality is so engaging is PMW's major accomplishment here.
  • Dissident
    3 Jul. 2023
    Lee Lawing traps Artem in a cell to ponder the power of freedom and speech with, variously, the participation of a rooster, a vampire, and a guard. Perhaps the cell is easier than dissent. Perhaps silence is easier than a cell, although it is its own cell. Lawing dramatizes this conundrum with such finesse it almost feels like a bedtime story. The dynamic is not unlike a more fantastical Stoppard. The cellmates are, in their own strange way, personifications of the outside, keeping Artem in constant debate. This is a great play about prisoners' rights and prison conditions as well.
  • Scenes From a Night's Dream
    2 Jul. 2023
    The world at twelve years old starts to reveal its size, and puberty is no help. The imagination goes down alleys it's only become aware of. The great secret of adulthood: sex. With it, shame takes natural weight. Hansen investigates the fears and anxieties accompanying this vulnerable time with all the finesse of Strindberg, Churchill, McPherson, Havel, Lynch and, yes, McCay; but with his unique comic timing so often based in awkwardness. Not an easy tactic, but he accomplishes it for subjects spanning authority, suicide, sexuality, trauma, then with a second act that asks if it can be tastefully done.
  • Lazy Day Gone Bad
    2 Jul. 2023
    A comic soufflé that would be a standout capper or dessert to any short play festival. Clear objectives for all three characters allow this scene to go full romp. Valerie can't help but be bothered, Madison doesn't need any nitpicking, and Brad is trying to elevate everything for the best. Body continues her foray into farce and rom-com, but here she takes things to a new level by supplanting our expectations as well as Valerie's. A charming scene that both keeps what our protagonist wants away from her as well as giving it to her in a lovely, heartwarming reversal.
  • ISABEL HALE, ONCOLOGY INTERN: A MONOLOGUE
    2 Jul. 2023
    An oncology intern's humanity is brought to its breaking point and, like the rest of us, needs an answer from somewhere, anywhere - atheist or not. Wyndham continues to make his characters, no matter their background or beliefs, as immediate and rich and complex as any dramatist in this country. His clever craftsmanship and dexterous abilities with language illuminate his characters' worlds so clearly that we can even smell them. Wyndham covers a lot of ground in this monologue, showing us how it all weaves together, from medical insurance to gardening, pollution, quality of life/home, to the Hippocratic Oath.
  • ELDREDGE HARIMANN, MINISTER OF UNITED NEW LIFE GRACE AND TRUTH APOSTOLIC WORSHIP CHURCH OF EASTERN OREGON: A MONOLOGUE
    2 Jul. 2023
    Right off the bat this character knows a bit too much about what he condemns. Wyndham, again and rightly so, puts us face-to-face with someone determined to take that stance over mankind. It's always confused me that someone would speak for god, how could they ever presume to know what he wants? The danger with extremism of any kind is that for it to stay alive it must get more and more specific, severe, dogmatic; it must build up the Other even through interaction with Others, or formation of an Axis. There are terrifying challenges and premonitions here from Wyndham.
  • THE GREAT AMERICAN SUBMARINE SANDWICH ARTIST: A MONOLOGUE
    2 Jul. 2023
    You can feel the smile muscles cramping on this sub-maker's face. The kind of smile that squints the eyes. Little does this person know that their artificiality is about to come face to face with authenticity. Genuine love, for that matter. The absurdity of the employees reaction is, of course, lost on them, but that's a testament to Asher Wyndham's abilities to place an onion's worth of layers into any string of words. The kind of monologue that requires a commitment you'd expect in any Paula Vogel play. There is no American in this country Wyndham is afraid to tackle.
  • Kafka and the Doll
    1 Jul. 2023
    Claudia Haas has taken one of the great stories from Kafka lore and turned it into a lovely tale about the power of kindness and imagination, for dreamers of all ages. It has tones of Hans Christian Andersen, Frances Hodgson Burnett, Johann Peter Hebel, and Brothers Grimm. There are great insights into a young girl's values, the power of (letter-)writing, of course, and Haas uses them wisely in her inventions of a "young woman" (Lisette) and her coming-of-age, rites-of-passage, and friendships/relationships - paralleling them with Sofie's own taut/fraught childhood, brilliantly introducing her influence, and cleverly depicting them.
  • Neighbor! Neighbor!
    30 Jun. 2023
    Fantastic little piece for two end-of-their-rope performances and a third, the interlocutor, who's doing their best to maintain an authority over the situation. A fine farce about people who don't understand the limits of their own business and the extent of their paranoia. So raving they are that Bhattacharya gets to play around appropriately with the dialogue, giving the actors a football field-sized playground in preparation for athletic reversal after reversal. Perfect example of what joys can be seen in a short play festival.

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