Positively solid Horror. With refreshingly natural characters and dialogue. Technically it is more than possible to achieve the impossible in this script. With traces of such classics as The Haunting, Rebecca, The Innocents, The Weir and other haunted house tales, what Ross Tedford Kendall brings to the play is a necessary looming and building sense of dread, as well as a successful dynamic between all the characters, comic situations, wit, and the sense of a genre in safe hands. Other highlights include a strong, intelligent, insightful protagonist, a mysterious renter, a Roomba, theatrical...
Positively solid Horror. With refreshingly natural characters and dialogue. Technically it is more than possible to achieve the impossible in this script. With traces of such classics as The Haunting, Rebecca, The Innocents, The Weir and other haunted house tales, what Ross Tedford Kendall brings to the play is a necessary looming and building sense of dread, as well as a successful dynamic between all the characters, comic situations, wit, and the sense of a genre in safe hands. Other highlights include a strong, intelligent, insightful protagonist, a mysterious renter, a Roomba, theatrical marvels, wonderful ghostly monologues, and rising bodycount(?).