Long Joan Silver and her all-female crew take on discrimination and inequality as well as Squire Trelawney, Jim Hawkins and all the regular characters in this farcical new version of the classic adventure story Treasure Island. The play solves one of my personal issues with every production I've seen yet: a lack of roles for women. In the original book there's only one woman, and she doesn't even have a name. I've seen the odd production that shoe-horns in a female pirate, but none that actually address the subject. This one does. In fact, the role of women is paramount to the themes of discrimination, privilege and greed that are background in the book but brought to the forefront in Long Joan Silver. It's also silly - with mad rat-eating, cheese obsessed Jen Gunn arguing over the going price of trading the treasure for a piece of Parmigiano - Is it organic? - to Dr. Livesy dressing up as a one legged woman to try and frighten Cap'n Sally Bones. Okay, it may not be the book exactly... but it's the book funnier!

When privileged Anastasia is sent to a Siberian gulag for the murder of her abusive husband, her arrival destroys the intricate web of hierarchy, alliance and treachery among the other four inmates of her bunkhouse. To save herself, Anastasia must save all of them: the prostitute, the killer, the lifer... and Prushka - the mouse. Available on Amazon - the SECOND EDITION of this play, rewritten for the 2016 production by Sacred Fools Theater Company.

Seventeen year old teenager Kirstie gets caught sneaking home after curfew. Her mother, Sarah, has been waiting up with a bottle for company. Sarah's thirty-four, which, if you'll do the math, explains why she's so distraught about Kirstie being out with a boy... Michael. Kirstie's first crush. Years of bitter conflicts gradually erupt in a night of head games played to the limit as Sarah and Kirstie finally confront the unspoken issues between them, including Sarah's conviction that becoming a mother at 17 ruined her life. Michael's arrival after Kirstie has fled in tears only makes things worse; but eventually, as the layers of lies and truths wielded as weapons are stripped away, the core of their relationship is exposed - and can be rebuilt.

Jerry is faced with the task of telling his estranged adult daughter that he has a terminal illness. He plans on using a go-between: Teddy and Bunny, who initially seem to be her siblings but in fact are her childhood toys - a stuffed Teddy bear and a rabbit - which he used as puppets when she was a little girl.

A mother reveals to her three bickering children that her cancer has returned - more aggressively - and she has only a few months to live. Sibling rivalry in the face of family tragedy... While the play is dramatic, the characters use humor to deal with their situation - and I have debated describing it as a "dramedy"... like so many of my plays, it skates back and forth across that line.

Janet, a nineteen year old college drop out, is heading home to her parents after failing every single course, unsure of how to break the news to them. To make it through the all-night drive, she's hired professional road trip copilot Randy, a 50 year old guy, divorced, missing his daughter. The play starts after her car has driven into a ditch, and they find themselves stranded on the side of the road near Yosemite, right by a sign saying "Do Not Feed the Bears". Yes, they do end up on the sign, listening to an angry bear and gradually forming an unlikely friendship.

Stanley has invented a time machine to send his best friend Jenny back in history to shoot Adolf Hitler. What could go wrong? Well, to start with Stanley's future roommate turns up and shoots Jenny dead... and that's just the beginning of their time travel complications!

What's worse, a dead rat in the toilet or a dead husband in the kitchen? Is there a difference? In the play, Babs has to make some tough decisions when her old flame Abby turns up on the run from her abusive husband - who she's stabbed in the back of the neck with a kitchen knife. It's a dark comedy with a heart of murder.

Reginald Niebold, stricken with cancer, holds a secret that his symptoms have deteriorated, and he knows his time is almost up. Niebold, however, is determined to wring the last moments of joy out of life, and his irrepressible spirit will awaken even jaded Nurse Lauder, who has worked on the ward too long to care anymore. Published by Next Stage Press in the collection "Thin Lines"

This is the story of Straw, Sticks and Bricks who longed to be houses... the life of characters in a fairy tale we never even think of as characters! What happens when their dreams come true (yes, there is an appearance by pigs and a wolf) and, more importantly, what happened after the wolf left, and how they rebuild their lives in the aftermath of all that huffing and puffing. MUSIC BY CHRISTIAN REGUL.