Two time NAACP Award winning actor/writer, Kacie Rogers, received her classical training at AMDA College and Conservatory of the Performing Arts. You can find Kacie on screen as the face of the new board game Disparity Trap as well as on episodes of several TV shows including Curb Your Enthusiasm and Grace & Frankie. Kacie has also had the opportunity of working with several prestigious theatre companies in the Los Angeles area including The Robey Theatre Co., The Road Theatre Co., Circle X, Theatre40, Theatricum Botanicum, Greenway Court, The Getty Villa, Sacred Fools Theatre Co., The Skylight Theatre, IAMA, Inkwell Theatre and The Fountain Theatre. She is a proud member of the Center Theater Group Community Storytellers and you can find her self written & performed short, Ol' Auntie...
Two time NAACP Award winning actor/writer, Kacie Rogers, received her classical training at AMDA College and Conservatory of the Performing Arts. You can find Kacie on screen as the face of the new board game Disparity Trap as well as on episodes of several TV shows including Curb Your Enthusiasm and Grace & Frankie. Kacie has also had the opportunity of working with several prestigious theatre companies in the Los Angeles area including The Robey Theatre Co., The Road Theatre Co., Circle X, Theatre40, Theatricum Botanicum, Greenway Court, The Getty Villa, Sacred Fools Theatre Co., The Skylight Theatre, IAMA, Inkwell Theatre and The Fountain Theatre. She is a proud member of the Center Theater Group Community Storytellers and you can find her self written & performed short, Ol' Auntie Jemmie, streaming on their website. In 2021, Kacie was a recipient of the Shay Fellowship; a program aimed at cultivating the next generation of theater professionals by providing the highest standard of training through immersion in the art. Through the fellowship, Kacie wrote her one woman show, I Sell Windows, which just had its first workshop production in New York in December of 2022. Kacie's full length play, Oladele or The Forgotten Song, was selected for the IAMA New works Festival in 2022 and received its first public reading during the festival in September, directed by Nell Teare.