Recommended by Leah Plante-Wiener

  • Leah Plante-Wiener: Questions that have Answers

    Truly, truly an unbelievable play. I've never encountered anything like it. Comas wields a singular voice that bursts with acute intelligence, a unique and theatrical perception of the world, and a cavalcade of myths waiting to be invented. A rare example of a play where density soars.

    Truly, truly an unbelievable play. I've never encountered anything like it. Comas wields a singular voice that bursts with acute intelligence, a unique and theatrical perception of the world, and a cavalcade of myths waiting to be invented. A rare example of a play where density soars.

  • Leah Plante-Wiener: haircut play :€

    An incredibly special piece of theatre. I adore this play so much. Comas is a master of the absurd.

    An incredibly special piece of theatre. I adore this play so much. Comas is a master of the absurd.

  • Leah Plante-Wiener: The Castle of Ghoul Hammond and How It Fell Into the Void

    Absolutely bananas bonkers. Somehow runs the whole gamut of human emotion. Repulsive and ambitious and hilarious. Restored my faith in imagination in the theatre.

    Absolutely bananas bonkers. Somehow runs the whole gamut of human emotion. Repulsive and ambitious and hilarious. Restored my faith in imagination in the theatre.

  • Leah Plante-Wiener: Pluck

    I love this play so much. It's so tonally particular in the best way possible. Cleo is a deeply sympathetic character who stays with you long after you've left the world of the play, which will swallow you whole. I really hope to see this staged someday.

    I love this play so much. It's so tonally particular in the best way possible. Cleo is a deeply sympathetic character who stays with you long after you've left the world of the play, which will swallow you whole. I really hope to see this staged someday.

  • Leah Plante-Wiener: Radio Man

    A stellar play. I adore the investigation of how apocalypse might stunt child development. The ending is a jaw-dropper-- inevitable, but genuinely shocking. Groustra has a gift for planting narrative breadcrumbs.

    A stellar play. I adore the investigation of how apocalypse might stunt child development. The ending is a jaw-dropper-- inevitable, but genuinely shocking. Groustra has a gift for planting narrative breadcrumbs.

  • Leah Plante-Wiener: ASÍ

    I love this play dearly. I particularly adore the ease with which Garcia slips between raunchy humour and heartfelt confession. A show about the multiple forms of performance we engage in, whether consciously or not.

    I love this play dearly. I particularly adore the ease with which Garcia slips between raunchy humour and heartfelt confession. A show about the multiple forms of performance we engage in, whether consciously or not.

  • Leah Plante-Wiener: cunnicularii

    One of my favourite plays of all time... makes me sob like a baby but also cackle real hard. Gross and beautiful and visceral and transgressive and an absolute rush of fresh air. #sophiemcintoshisanabsurdist

    One of my favourite plays of all time... makes me sob like a baby but also cackle real hard. Gross and beautiful and visceral and transgressive and an absolute rush of fresh air. #sophiemcintoshisanabsurdist

  • Leah Plante-Wiener: This Shameful Yoke

    Deliciously, irreverently high-stakes melodrama. Urso has a masterful grasp of Shakespeare's language and iambic pentameter. A feast of scheming and incompetence!

    Deliciously, irreverently high-stakes melodrama. Urso has a masterful grasp of Shakespeare's language and iambic pentameter. A feast of scheming and incompetence!

  • Leah Plante-Wiener: AMANDA

    Lovely, strange, and unsettling in all of the best ways, AMANDA is a wonderfully high-concept example of Holmes' biting wit, imagination, and fierce intelligence as a writer. Holmes has pulled off a great balancing act with this play: characters are both troubling and endearing, laughs are underpinned by the threat of violence, monologues and movement sequences take turns in the spotlight. A tense delight.

    Lovely, strange, and unsettling in all of the best ways, AMANDA is a wonderfully high-concept example of Holmes' biting wit, imagination, and fierce intelligence as a writer. Holmes has pulled off a great balancing act with this play: characters are both troubling and endearing, laughs are underpinned by the threat of violence, monologues and movement sequences take turns in the spotlight. A tense delight.

  • Leah Plante-Wiener: macbitches

    McIntosh not only has a viciously sharp ear for the horrors of BFA drama programs and how they replicate themselves between female peers, but also for mean-girl doublespeak, teenaged manipulation, and the vertiginous highs and lows of female friendship. Whip-smart and fast-paced, featuring a well-rounded cast of robust characters that set up all actors to shine, macbitches is a stellar, darkly comical addition to the canon of ensemble pieces for college-aged actresses.

    McIntosh not only has a viciously sharp ear for the horrors of BFA drama programs and how they replicate themselves between female peers, but also for mean-girl doublespeak, teenaged manipulation, and the vertiginous highs and lows of female friendship. Whip-smart and fast-paced, featuring a well-rounded cast of robust characters that set up all actors to shine, macbitches is a stellar, darkly comical addition to the canon of ensemble pieces for college-aged actresses.