Rowan tackles some tough topics: cancel culture, homophobia, white privilege, racism, cultural appropriation, sexual misconduct, by deftly weaving each into a gripping story centering an instructor hellbent on staging a ballet based on The Tempest. Is it the end of art if we can no longer access our own or others’ life experiences, pains, oppression, without being accused of exploitation? It’s a difficult play, forcing us to reflect on our willingness/unwillingness to compromise when it means we may lose a part of ourselves, when it means our art might be diminished. Stellar writing/character...
Rowan tackles some tough topics: cancel culture, homophobia, white privilege, racism, cultural appropriation, sexual misconduct, by deftly weaving each into a gripping story centering an instructor hellbent on staging a ballet based on The Tempest. Is it the end of art if we can no longer access our own or others’ life experiences, pains, oppression, without being accused of exploitation? It’s a difficult play, forcing us to reflect on our willingness/unwillingness to compromise when it means we may lose a part of ourselves, when it means our art might be diminished. Stellar writing/character development. Stage this!