Doug Schutte

Doug Schutte

Doug Schutte is Executive Artistic Director and Playwright-in-Residence at Bard Theatre. His plays there include CHASING OPHELIA (2011, 2013, 2015), THE KINGS OF CHRISTMAS (2011-2017), JUST LIKE LIFE (2014), MISSES STRATA (2012, 2016), LOVE RELIGIOUSLY (2011), STAINED GLASS (2012), WHISTLER'S MOTHER (2015), and THE WARD OF THE WINGS (2016). Directing credits include A BRIGHT NEW BOISE, RAPTURE BLISTER...
Doug Schutte is Executive Artistic Director and Playwright-in-Residence at Bard Theatre. His plays there include CHASING OPHELIA (2011, 2013, 2015), THE KINGS OF CHRISTMAS (2011-2017), JUST LIKE LIFE (2014), MISSES STRATA (2012, 2016), LOVE RELIGIOUSLY (2011), STAINED GLASS (2012), WHISTLER'S MOTHER (2015), and THE WARD OF THE WINGS (2016). Directing credits include A BRIGHT NEW BOISE, RAPTURE BLISTER BURN, THE (CURIOUS CASE OF THE) WATSON INTELLIGENCE, REASONS TO BE PRETTY, CROOKED, BETHANY, THE KINGS OF CHRISTMAS, MISSES STRATA, & GREATER TUNA.

Bard Theatre opened in 2011 with Schutte's CHASING OPHELIA, which he wrote in the early mornings in the house of Shakespeare's Globe before rehearsals began. Having worked almost exclusively with playwrights long dead prior to Bard Theatre, Schutte decided it was time to focus on exactly what Shakespeare did in his day: NEW WORK.

Since its inception, Bard Theatre has been on the cutting edge of new American plays, being one of the first theatres in the country to produce works like Samuel D Hunter's A BRIGHT NEW BOISE, Madeleine George's WATSON INTELLIGENCE, Gina Gionfriddo's RAPTURE BLISTER BURN, Laura Marks' BETHANY, William Missouri Downs' THE EXIT INTERVIEW, and more. What's more, Bard Theatre puts the focus on the playwright, and thus works to build relationships with playwrights. Bard Theatre's production of A PERMANENT IMAGE, for instance, came about specifically due to continued correspondence with Mr. Hunter, and his sending along scripts as he puts them into the world.

Bard Theatre's mission statement is very official-sounding and notes its emphasis on new voices, but basically the BT has one goal: world domination through theatre.

Plays

  • The Kings of Christmas
    Marley was dead, to begin with. Of course, Marley was a cat. And we weren't in England anymore. We were in Vegas.

    Ten years after his father, an Elvis-impersonating magician known as The Magistic King, died or disappeared during a nationally-televised Christmas Special, Carter King begrudgingly returns home for the holidays to bear witness to his certifiable family. Carter awakens to...
    Marley was dead, to begin with. Of course, Marley was a cat. And we weren't in England anymore. We were in Vegas.

    Ten years after his father, an Elvis-impersonating magician known as The Magistic King, died or disappeared during a nationally-televised Christmas Special, Carter King begrudgingly returns home for the holidays to bear witness to his certifiable family. Carter awakens to find himself tied a chair, accused of feline homicide.

    Joining the fray are Uncle Frank--The Magistic King's twin brother and owner of multiple restraining orders from the local law school; neighbor Wendy Williams, who claims to be Carter's love interest. (Carter claims she needs therapy); older brother Kennedy King, aka The Magistic Prince, who has a habit of repeating himself and urinating when nervous; younger brother Clinton King, the smartest...or dumbest...person in the room; and mother Carol King and her "twin sister" Aunt Sylvia, the family member Carol made to make her boys feel better after their father disappeared.

    What follows is an intricate series of Rashomon-like reenactments that depict various accounts of Marley’s demise. With the family stacked against him, things look bleak for Carter...who just wants to be done with his nut job of a family.

    During a break in the trial, Carter is visited by...you guessed it...3 ghosts. Well, 1 ghost. 1 Magistic King. But he's really smooth about making clear the differences between his 3 ghosts. And Carter King finds himself on a path of discovery, leading him to understanding the true mean of Christmas.

    As Schutte says, "It's like A CHRISTMAS CAROL"...if Dickens were an idiot. The only holiday play with Christmas Spirits (revelry), Christmas Spirits (ghosts), and Christmas Spirits (booze).

    PRODUCTION HISTORY:
    Bard Theatre, Louisville KY - 2011, 2012, 2013, 2014, 2015, 2016, 2017

    CASTING NOTE:
    The ridiculousness of the play keeps casting restrictions away...which we loved at Bard Theatre.

    LEO WEEKLY:
    "The madcap opening moments of 'Kings' are flat-out brilliant – and the rest of the play lives up to the opening. This is among the best-written, best-executed riffs on Dickens’ 'A Christmas Carol' you’ll ever see. In fact, a word to the wise: stop reading for a moment and immediately order your tickets."

    WFPL/NPR:
    "Wacky and Warm"
    "let’s put on our wacky sweaters and “shoot the boot” every year"

    INSIDER LOUISVILLE:
    "well on its way to becoming a Louisville classic"

  • Chasing Ophelia
    *Performed by Shakespeare companies, outdoor and indoor theatres, high schools and colleges, and professional companies.

    Ned Mark has no idea what to do.

    Ned is a newly-formed character, and his creator has given him little to go on. Little-by-little, Ned’s hack of a creator adds to the world. A slightly neurotic but sagely Brit named Joseph. A blind date named Joy, who...
    *Performed by Shakespeare companies, outdoor and indoor theatres, high schools and colleges, and professional companies.

    Ned Mark has no idea what to do.

    Ned is a newly-formed character, and his creator has given him little to go on. Little-by-little, Ned’s hack of a creator adds to the world. A slightly neurotic but sagely Brit named Joseph. A blind date named Joy, who quickly becomes Ned’s love.
    While Ned is happy with his new world, Joy longs for something more. When she finds out that Ned’s script is titled “Chasing Ophelia,” Joy realizes what she longs for…to be Ophelia.
    Joy ventures off into the character abyss in search of Elsinore. Ned ventures off in search of Joy. And Joseph ventures off in search of Ned. What follows is a full-on assault on the character world of one William Shakespeare. Ned stumbles his way into the character worlds of A Midsummer Night’s Dream, where he is mistaken for Francis Flute and enrages Peter Quince; Romeo and Juliet, where he “becomes” Benvolio and convinces Romeo to remain with Rosalind; Julius Caesar, where he botches the murder of Caesar; and Macbeth, where (as Macbeth) he attempts to convince the Lady to “just say no” to cold-blooded murder.
    Ready to give up, Ned gets a boost from an unlikely playwriting source. With some new-found confidence, Ned COMMITS, and realizes that he will choose his own fate and be “great” in his own way—and completely re-writes Hamlet in the process.

    PRODUCTION HISTORY
    Bard Theatre 2011, 2013
    Covington Latin High School 2014
    Shakespeare in the Park 2015

    AWARDS
    Best Theatrical Production, LEO Weekly Readers' Choice Awards
    National Arts Club Playwrights First Award, Semi-Finalist
    Beverly Hills Theater Guild, Honorable Mention
  • Whistler's Mother
    Joanna is as ready as she'll ever be to serve as your court-mandated volunteer at the library this evening for the critically-acclaimed, poorly-attended "What is the Meaning of Art?" series. As she begins reading from her cue cards, actors playing roles of James Whistler and his sometimes-friend Oscar Wilde join the fray. Joanne is not a fan of such interactive lecturing...and she dated an...
    Joanna is as ready as she'll ever be to serve as your court-mandated volunteer at the library this evening for the critically-acclaimed, poorly-attended "What is the Meaning of Art?" series. As she begins reading from her cue cards, actors playing roles of James Whistler and his sometimes-friend Oscar Wilde join the fray. Joanne is not a fan of such interactive lecturing...and she dated an actor junior year of college who cheated on her with Charlotte Berners...that skank CHARLOTTE BERNERS who will give it up for waffles fries and queso..so no.

    When Whistler's Mother herself joins the fray, Joanna begins to realize that these folks may NOT be actors. Or that weed brownie was WAY stronger than she thought. In true Whistler form, James is furious to find people referring to the painting as "Whistler's Mother," as art should have "subject," but should be done for its OWN SAKE. Hence his true title, "Arrangements in Grey and Black Number 1." Whistler's Mother disagrees. How can they know for sure? Oscar has an idea. But he's going to need a Joanna. Whomever will he find?

    Suddenly they travel back in time to Whistler's studio in London. Joanna is now Joanna Hiffernan, Whistler's real-life romantic partner for a number of years. Wilde has hidden, horribly, under a blanket on the couch. Whistler is about to create his greatest masterpiece...if only he can convince his mother to sit for it and stop nagging him to give up painting, and if he can get Wilde to stop distracting for two seconds, AND if he can somehow manage to hide Joanna--who is not allowed to be there now that Whistler's Mother resides there--when Mama Whistler pops in.

    For the man who espoused the virtues of Art for Art's Sake, it is only fitting to create the most ridiculous story possible of how his seminal work came to life.

    LEO WEEKLY: a "brilliant explication of the source of 'Whistler’s Mother'.”

    PRODUCTIONS
    Bard Theatre Ten-Tucky Festival (2015)

    AWARDS
    Festival Award Winner, Ten-Tucky Festival (2015)