“ A thoughtful investigation of how American capitalism and corporations negatively affect the workers who are their very foundation and the ways we try to cope or fight back. Hariharan gives us a kind depiction of Sam's hesitation and what motivates it, even when the choice might seem clear. The mix of charm and humor in the midst of struggle makes a satisfying balance. Workers unite! ”

“ A great read and a piece clearly written for its medium. Flynn uses repetition as change. A live performer can't perform the same moment multiple times without some difference and Flynn leans into this theatricality, allowing a punch we know happened to instead fall in its final repetition. Danielle's explanations of the context read so human and true. I identified so strongly with the whole 'I know I SHOULDn't feel this way, but it's not that bad, and hey you know I'm kind of right actually, but also I knoooow it's kinda wrong' aesthetic. ”

“ A great read - Grays' lyricism in dialogue is moving on its own; I can imagine hearing these two women speak over and around and at and beside each other. The eventual context brought to light reframes so much of the beginning of the play. I especially love seeing LGBTQ+ characters in situations that have nothing to do with coming out and everything to do with the overbearing weight of just being human. ”

“ Our National Museum... asks what truths are uncovered and deliberately hidden or softened in the curation of our national stories in museums. Like many of America's history, the instigating massacre that inspires this museum is born of our nation itself, a self-caused problem reflective of the many times America has harmed itself on its path to destroy others. The dog display (and uncomfortable call out) is perfect, as is setting the play in an immersive museum/environment. Calarco also explores an eerie example of how, especially for the marginalized, aligning ourselves with people in power will not protect us. ”