Tiffany likes weird stuff. And spectacle. And making theatremakers ask "How the hell am I going to do THAT?" but, like, in a really good way. Her plays are imaginative, highly visual, bold, and (quite often) hilarious. Her plays have been read and/or performed in Los Angeles, New York, D.C., and Minneapolis. Tiffany's play, TWIGS AND BONE recently enjoyed rave reviews for a three-month run with Nu Sass Productions in Washington, DC. CRICKET WOMAN MOTHER EARTH (OR) A NASTY COMEUPPANCE, (a past O’Neil finalist) enjoyed a workshop at The Boston Court as part of their 2017 New Play Festival. Her award-winning play, IN THE COMPANY OF JANE DOE, has been produced on both coasts. She is a past Hawthornden Fellow, Great Plains Theatre Conference selectee, and has been a finalist for both the O’Neill and Jerome playwriting awards. Tiffany was also one of HowlRound.com’s Here and Now Series playwrights. Her play THE GOOD BOOK is available through Concord Theatricals. During the pandemic, Tiffany began PlagueWrites, which is a collaborative writing project invested in creating outdoor and immersive plays. Their first play, ALICE IN QUARANTINE: A DRIVE-THRU ADVENTURE has been produced several times and is published with Next Stage Press.

Tiffany holds her MFA in Playwriting from UCLA, and currently lives/teaches in Iowa where she writes for stage and screen. She is an Affiliated Member of the Playwrights' Center, and member of The Dramatists Guild, Literary Managers and Dramaturgs of the Americas, and The Los Angeles Female Playwrights Initiative (for whom she is also a contributing blogger). She also runs Little Black Dress INK, a female playwright producing organization, and Protest Plays Project.