Recommended by Claudia Haas

  • Claudia Haas: Sir Theo and the Swamp Boy

    What a beautiful script for two young men. Hageman showcases the power of imagination - how it brings joy, how it helps one cope and best of all - how the worlds you find on your own empower you. And I really wish there was a “swashbuckling badge” in scouting.

    What a beautiful script for two young men. Hageman showcases the power of imagination - how it brings joy, how it helps one cope and best of all - how the worlds you find on your own empower you. And I really wish there was a “swashbuckling badge” in scouting.

  • Claudia Haas: /ärt/

    “Nothing escapes judgement.” Martin uses that line and runs amok with it. Should art be competitive? In this delightful romp, it is the children who know the answer.

    “Nothing escapes judgement.” Martin uses that line and runs amok with it. Should art be competitive? In this delightful romp, it is the children who know the answer.

  • Claudia Haas: Washington In Winter (10 min)

    Original and clever, Rose leads you up the comedic garden path until things are not what they seem. It’s bittersweet watching a family reenact the past as the future lies in doubt.

    Original and clever, Rose leads you up the comedic garden path until things are not what they seem. It’s bittersweet watching a family reenact the past as the future lies in doubt.

  • Claudia Haas: The Kiss

    I am sitting here stunned. What astounding moments Sapio has captured. I had read about the origins of “the kiss” and Sapio has taken it and turned it and twirled it and found truth. It should be produced everywhere. And used as an example of how powerful a ten-minute play can be.

    I am sitting here stunned. What astounding moments Sapio has captured. I had read about the origins of “the kiss” and Sapio has taken it and turned it and twirled it and found truth. It should be produced everywhere. And used as an example of how powerful a ten-minute play can be.

  • Claudia Haas: Red Onion, White Garlic

    Hansen deftly weaves beautiful tales into a tapestry of light and love and adventure and goodness. The tales are chock full of wit and magic. The characters are almost-good and almost-evil but not as black and white as the Grimm tales. It’s a pleasure to find strong female folklore tales plus it’s a grand introduction to the folklore of Indonesia.

    Hansen deftly weaves beautiful tales into a tapestry of light and love and adventure and goodness. The tales are chock full of wit and magic. The characters are almost-good and almost-evil but not as black and white as the Grimm tales. It’s a pleasure to find strong female folklore tales plus it’s a grand introduction to the folklore of Indonesia.

  • Claudia Haas: Being Wendy Wasserstein - A monologue

    I wanted to act in every play Wasserstein wrote. She spoke to me and for me. Karen Fix Curry captures the essence of this amazing playwright. The ending - where Wasserstein mentions not wanting to be political - but writing her characters is political - is a truth. Beautiful, honest and moving, it made me miss acting. And miss Wasserstein even more.

    I wanted to act in every play Wasserstein wrote. She spoke to me and for me. Karen Fix Curry captures the essence of this amazing playwright. The ending - where Wasserstein mentions not wanting to be political - but writing her characters is political - is a truth. Beautiful, honest and moving, it made me miss acting. And miss Wasserstein even more.

  • Claudia Haas: Finding Our Way

    There’s so much to take in: to think, to feel, to know, to not know. Edan knows teens. Nobody’s black or white. Yeah, some are popular - some are not - but nobody is a stereotype. There are surprises and before the ending, you have grown fond of this group of teens. You care about them all which makes you ache for all of them at the end.

    There’s so much to take in: to think, to feel, to know, to not know. Edan knows teens. Nobody’s black or white. Yeah, some are popular - some are not - but nobody is a stereotype. There are surprises and before the ending, you have grown fond of this group of teens. You care about them all which makes you ache for all of them at the end.

  • Claudia Haas: New Mistakes

    Cheers to new mistakes. Here’s to putting your phone away and trying something new. A charmer with enough hesitation to keep you wondering... what’s a risk? And what’s worth the risk? I love the wonder of the first kiss at any age. It never goes away.

    Cheers to new mistakes. Here’s to putting your phone away and trying something new. A charmer with enough hesitation to keep you wondering... what’s a risk? And what’s worth the risk? I love the wonder of the first kiss at any age. It never goes away.

  • Claudia Haas: Recess

    Tender, funny, and fierce - there is so much in this play. We see the beginning of a child’s imagination and how it comes from both reality and wishful thinking. We see two lives with ups and downs who were so lucky to have met. And we see two children and their remarkable potential as adults. Whew, that’s a lot in a short play. Succinct, seemingly small but huge in scope. It’s a beauty.

    Tender, funny, and fierce - there is so much in this play. We see the beginning of a child’s imagination and how it comes from both reality and wishful thinking. We see two lives with ups and downs who were so lucky to have met. And we see two children and their remarkable potential as adults. Whew, that’s a lot in a short play. Succinct, seemingly small but huge in scope. It’s a beauty.

  • Claudia Haas: A Dateless Bargain with Engrossing Death

    So hit me with an abacus, databases are funny. So is Death (really) and the desperate attempt to stay alive. When Death comes knocking at your door, it may help to have a once-a-nerd math major on your side. An absolute bonkers two-hander that would be a delight on any stage.

    So hit me with an abacus, databases are funny. So is Death (really) and the desperate attempt to stay alive. When Death comes knocking at your door, it may help to have a once-a-nerd math major on your side. An absolute bonkers two-hander that would be a delight on any stage.