This short, sorrowful, but ultimately hopeful play is a perfect example of the adage that less is more. Jennifer ‘O Grady effortlessly weaves a tale imbued with the history of trauma without revealing hardly any detail at all. Like Raymond Carver’s short stories, this piece makes the “audience” read between the lines and discover the anguish and humanity of two very compelling women.
This short, sorrowful, but ultimately hopeful play is a perfect example of the adage that less is more. Jennifer ‘O Grady effortlessly weaves a tale imbued with the history of trauma without revealing hardly any detail at all. Like Raymond Carver’s short stories, this piece makes the “audience” read between the lines and discover the anguish and humanity of two very compelling women.