Recommendations of 153

  • Lainie Vansant: 153

    Heartbreaking but in the best way. Martin handles this tender subject beautifully.

    Heartbreaking but in the best way. Martin handles this tender subject beautifully.

  • Aly Kantor: 153

    I can only imagine the magical experience of watching this play unfold as an audience member - the confusion dawning into understanding as the dialogue reveals who these characters are, the abstraction giving way to profound specificity. One of Martin's gifts is using that sublime specificity to create painfully relatable characters. This piece is incredibly theatrical while remaining simple to stage, making it an accessible piece for any ensemble. Plus, the messages it imparts about regret and transformation and perspective are impactful and absolutely necessary. What a gorgeous, efficient...

    I can only imagine the magical experience of watching this play unfold as an audience member - the confusion dawning into understanding as the dialogue reveals who these characters are, the abstraction giving way to profound specificity. One of Martin's gifts is using that sublime specificity to create painfully relatable characters. This piece is incredibly theatrical while remaining simple to stage, making it an accessible piece for any ensemble. Plus, the messages it imparts about regret and transformation and perspective are impactful and absolutely necessary. What a gorgeous, efficient metaphor. What a beautiful play!

  • Paul Donnelly: 153

    The journey to self-forgiveness can be convoluted and difficult. It is a journey richly illustrated in this moving short play. Each character is a clear and compelling reflection of their age and the ultimate reconciliation among the three ages is most satisfying.

    The journey to self-forgiveness can be convoluted and difficult. It is a journey richly illustrated in this moving short play. Each character is a clear and compelling reflection of their age and the ultimate reconciliation among the three ages is most satisfying.

  • John Mabey: 153

    This play really stole my heart in the best magical ways. 153 by Steven Martin is a gem that shines differently throughout, each page a new revelation and insight for both the characters and ourselves. A mix of poetic dialogue and cathartic imagery makes this play so very special and a delight to both read and watch.

    This play really stole my heart in the best magical ways. 153 by Steven Martin is a gem that shines differently throughout, each page a new revelation and insight for both the characters and ourselves. A mix of poetic dialogue and cathartic imagery makes this play so very special and a delight to both read and watch.

  • Philip Cullen: 153

    Beautiful short piece on self-love, forgiveness, and knowing that it will get better.

    Beautiful short piece on self-love, forgiveness, and knowing that it will get better.

  • Ryan Clardy: 153

    Such a beautiful read in such a small package. Can’t wait to try reading it out loud with others

    Such a beautiful read in such a small package. Can’t wait to try reading it out loud with others

  • Jim Siering: 153

    A beautiful gem about the passage of time, the journey of life, regrets, memories, and the possibilities of growth

    A beautiful gem about the passage of time, the journey of life, regrets, memories, and the possibilities of growth

  • Jillian Blevins: 153

    A meditation on identity, regret, and mortality that’s both melancholic and ultimately hopeful. Martin’s sincerity and vulnerability make 153 especially poignant; it’s clear that this piece comes straight from the heart. It offers exciting opportunities for a director to go all out with maiden/mother/crone imagery (or whatever you call it when it’s a guy) and make bold creative choices.

    A meditation on identity, regret, and mortality that’s both melancholic and ultimately hopeful. Martin’s sincerity and vulnerability make 153 especially poignant; it’s clear that this piece comes straight from the heart. It offers exciting opportunities for a director to go all out with maiden/mother/crone imagery (or whatever you call it when it’s a guy) and make bold creative choices.

  • Dana Hall: 153

    "The secret of change is to focus all of your energy not on the fighting of the old, but on building the new." These words of Socrates hit me as we encounter a man coming face to face with parts of himself on the journey of life. The perspective-taking will leave you reflecting on your own life and how we have come to where we are... thank you for this beautiful play Steven G. Martin.

    "The secret of change is to focus all of your energy not on the fighting of the old, but on building the new." These words of Socrates hit me as we encounter a man coming face to face with parts of himself on the journey of life. The perspective-taking will leave you reflecting on your own life and how we have come to where we are... thank you for this beautiful play Steven G. Martin.

  • Maximillian Gill: 153

    A fascinating examination of the regrets we carry with us and the difficulties we have with simply forgiving ourselves for a host of bad choices. It's existential, clever, and very, very human. I experienced this script for the first time in a Zoom presentation and did not know where it was going, which felt like the best way to go into it. I was surprised and pleased when I realized the central conceit.

    A fascinating examination of the regrets we carry with us and the difficulties we have with simply forgiving ourselves for a host of bad choices. It's existential, clever, and very, very human. I experienced this script for the first time in a Zoom presentation and did not know where it was going, which felt like the best way to go into it. I was surprised and pleased when I realized the central conceit.