Recommendations of 153

  • Steven Hayet: 153

    Absolutely love this play. 153 is a beautiful piece examining a character at three different stages in his life. Relatable and heartwarming. Clever and insightful. 153 will have you thinking about your own life and how your past experiences have shaped who you are and will be. This play needs to be produced everywhere. A wonderful addition to any short play festival.

    Absolutely love this play. 153 is a beautiful piece examining a character at three different stages in his life. Relatable and heartwarming. Clever and insightful. 153 will have you thinking about your own life and how your past experiences have shaped who you are and will be. This play needs to be produced everywhere. A wonderful addition to any short play festival.

  • Neal Alexander Lewis: 153

    My only sadness about Steve Martin's 153 is that it isn't longer. A delightful snapshot on how we look forward, and how we look back, and sometimes, how we forget. Mr. Martin illustrates in 10 minutes how we are the sum of our experiences, and calls on us to remember that how we view those experiences changes, and we along with it.

    My only sadness about Steve Martin's 153 is that it isn't longer. A delightful snapshot on how we look forward, and how we look back, and sometimes, how we forget. Mr. Martin illustrates in 10 minutes how we are the sum of our experiences, and calls on us to remember that how we view those experiences changes, and we along with it.

  • Stephen Graff: 153

    I just read 153 by Steven Martin. Whimsical and poignant and funny as it tells the story of the same character at different stages of his life communicating regrets, hope, and promises made and broken. Very short and very sweet.

    I just read 153 by Steven Martin. Whimsical and poignant and funny as it tells the story of the same character at different stages of his life communicating regrets, hope, and promises made and broken. Very short and very sweet.

  • Cameron Houg: 153

    153 is a play that asks us to reflect, look back on our lives and how we got to where we are. But it doesn’t stop there, we also must examine the present and the future, and ultimately accept where we are in life. The play reminds us that we’re never done growing, and that no matter how much we think we know, we probably know nothing. A heartwarming short piece.

    153 is a play that asks us to reflect, look back on our lives and how we got to where we are. But it doesn’t stop there, we also must examine the present and the future, and ultimately accept where we are in life. The play reminds us that we’re never done growing, and that no matter how much we think we know, we probably know nothing. A heartwarming short piece.

  • Lee R. Lawing: 153

    153 pulls at you in so many ways. As others have said, it plays to every audience member in the house, but also just holds a mirror to some of us even more closely. As artists we hold that mirror so closely to ourselves that it sometimes gets too fogged up, but plays like Martin's 153 clear away the fog and allows us to see all too clearly that inner self that we sometimes tuck away too tightly.

    153 pulls at you in so many ways. As others have said, it plays to every audience member in the house, but also just holds a mirror to some of us even more closely. As artists we hold that mirror so closely to ourselves that it sometimes gets too fogged up, but plays like Martin's 153 clear away the fog and allows us to see all too clearly that inner self that we sometimes tuck away too tightly.

  • Larry Rinkel: 153

    An exquisitely charming vignette about three stages in our journey through life and what we come to learn as we age, and how we look back on our younger selves. Though the character(s) is/are gay, his/their experience can apply to anyone, gay or straight. Steven Martin has an effortless gift for characterization, dialogue, and pacing, and I'd love to see this performed. The title, for the math-challenged among us like myself, refers to . . . .

    An exquisitely charming vignette about three stages in our journey through life and what we come to learn as we age, and how we look back on our younger selves. Though the character(s) is/are gay, his/their experience can apply to anyone, gay or straight. Steven Martin has an effortless gift for characterization, dialogue, and pacing, and I'd love to see this performed. The title, for the math-challenged among us like myself, refers to . . . .

  • Kel Vance: 153

    I love '153' by Steven Martin. It is beautifully crafted with its intimate, intense and personal dialogue that is relatable for each of us. It forces us to look within and ultimately with self reflection and soul searching find the part of us we've been missing, hiding or yet to discover. '153' leaves you determined to be kinder to who you were, who you are now and hopeful, for who you are to become. A truly wonderful play for any festival.

    I love '153' by Steven Martin. It is beautifully crafted with its intimate, intense and personal dialogue that is relatable for each of us. It forces us to look within and ultimately with self reflection and soul searching find the part of us we've been missing, hiding or yet to discover. '153' leaves you determined to be kinder to who you were, who you are now and hopeful, for who you are to become. A truly wonderful play for any festival.

  • Asher Wyndham: 153

    This surprising, emotionally effective play would speak to a variety of gay men in your audience, to guys from different generations -- young, middle age and senior. A multi-generational spectacle that reminds me of Three Tall Women, Martin's play forces gay men to react to their present situation and think about their choices and actions in the past. Have we lived fully? If the answer is No, if you're feeling some regret and sadness, then this play may force the gay men in your audience to (re)examine their life, love more. Just perfect for your LGBTQ festival.

    This surprising, emotionally effective play would speak to a variety of gay men in your audience, to guys from different generations -- young, middle age and senior. A multi-generational spectacle that reminds me of Three Tall Women, Martin's play forces gay men to react to their present situation and think about their choices and actions in the past. Have we lived fully? If the answer is No, if you're feeling some regret and sadness, then this play may force the gay men in your audience to (re)examine their life, love more. Just perfect for your LGBTQ festival.

  • Mike Sockol: 153

    A wonderfully reaffirming and reassuring play for those traveling through their mid-life crisis, or facing crisis at any point in their lives. Steve particularly captures beautifully the dialogue between younger and middle self, the same agonizing arguments I still have my younger son. Great piece for a ten minute festival.

    A wonderfully reaffirming and reassuring play for those traveling through their mid-life crisis, or facing crisis at any point in their lives. Steve particularly captures beautifully the dialogue between younger and middle self, the same agonizing arguments I still have my younger son. Great piece for a ten minute festival.

  • Matthew Weaver: 153

    Martin is SO GOOD in everything he offers, but 153 is particularly special because of how much he shares with we the audience. Theater is supposed to be intimate and deeply personal, and we are truly gifted with a warts and all self-examination. Better yet, it's a fascinating exploration to which any audience member can relate: Who are we now? Who were we? Who will we become? Martin gives those intense moments of grief and self doubt equal time with moments of light and hopefulness, and the world is better for it.

    Martin is SO GOOD in everything he offers, but 153 is particularly special because of how much he shares with we the audience. Theater is supposed to be intimate and deeply personal, and we are truly gifted with a warts and all self-examination. Better yet, it's a fascinating exploration to which any audience member can relate: Who are we now? Who were we? Who will we become? Martin gives those intense moments of grief and self doubt equal time with moments of light and hopefulness, and the world is better for it.