I believe theatre is one of the most powerful tools we have to illuminate the past, interrogate the present, and shape the future. As a playwright, librettist, and dramaturg, I am especially drawn to the intersection of history and performance—where memory becomes active, and the stories we tell can challenge systems, complicity, and inherited silence.

Much of my work is rooted in Holocaust history, public memory, and ethical reckoning, but my storytelling ranges from starkly minimalist dramas to flamboyant, satirical musicals. Whether I’m crafting verbatim theatre, speculative fiction, or camp-infused comedy, I aim to balance rigorous research with theatrical imagination. My plays are meant to ask hard questions—about identity, complicity, survival, and the responsibility of witnessing—and to do so in a way that invites dialogue rather than prescribes answers.

Theatre is, above all, a communal act. I am constantly inspired by the artists and audiences who breathe life into new work and who are willing to engage with uncomfortable truths in service of empathy and change. I strive to create work that opens space: for grief, for joy, for humor, for protest, for reimagining the world.