I write smart comedies with heart. My work lives in a world of high-concept absurdity populated by people living in whales, existential puppets, dancing bears, and fairy tale wolves.

I’m interested in the "funny until it isn't, and then it’s funny again" cycle of human connection. I use sharp linguistic wit to build layers of hidden meaning into preposterous situations, creating stories that are as deep as they are ridiculous. My goal is simple: to make the absurd feel relatable and the relatable feel absurd.