Artistic Statement

I write the stories and voices I hear in my head. I’m not schizophrenic. I’m aware of daily life but, as a writer, my inspiration comes from those voices. I hear Tootie saying how she forgives the black boy that shot and killed her white son; Suzette is so loud when she comes through the door of her father’s funeral home, yelling at the rain and complaining to Portia about black folks buying Lladro; when Richard’s charms are not winning over Rachel whose already been there – done that – seen it all, and this mother fucker is in her way of closing the bar; Latasha, a sixteen-year-old from South Central whose got dreams of being a lawyer and making a difference in her community. I write what the voices in my head tell me to say and in doing so, I add my flavor, opinions, and life experiences to the dialogue. They are rich stories about all kinds of people that bump up against other people that don’t look like me.

Sylia Francis

Artistic Statement

I write the stories and voices I hear in my head. I’m not schizophrenic. I’m aware of daily life but, as a writer, my inspiration comes from those voices. I hear Tootie saying how she forgives the black boy that shot and killed her white son; Suzette is so loud when she comes through the door of her father’s funeral home, yelling at the rain and complaining to Portia about black folks buying Lladro; when Richard’s charms are not winning over Rachel whose already been there – done that – seen it all, and this mother fucker is in her way of closing the bar; Latasha, a sixteen-year-old from South Central whose got dreams of being a lawyer and making a difference in her community. I write what the voices in my head tell me to say and in doing so, I add my flavor, opinions, and life experiences to the dialogue. They are rich stories about all kinds of people that bump up against other people that don’t look like me.