Matthew Moore is a playwright, poet, and author who has been working steadily in the theater for over twenty years.
Their plays include FALLING ROCKS (Audience Selection at Theatre Southwest), FATHER MICHAEL'S DOING MASS (Actors' Theatre of Santa Cruz), THRIFTY'S FOR THE FUN AND FABULOUS (Published in Stage It: Volume 6), FORGIVENESS COSTS (Produced at Baldwin Wallace University and Published in New Plains Review), WE'LL GET TOGETHER (Published in Fresh Words), A PERFECTLY GOOD SCHOOL (Semi-Finalist in the Juice Box One Act Competition at Lake Shore Center for the Arts), BY THE COVER (Published in Apricity), YOUR FATHER PAINTS AS THE BOMBS FALL DOWN AROUND US (Published in Ponder Review), THE ACCENT (Produced by Truman State University and Published in Stage It: Volume 7), HOLD A PLACE...
Matthew Moore is a playwright, poet, and author who has been working steadily in the theater for over twenty years.
Their plays include FALLING ROCKS (Audience Selection at Theatre Southwest), FATHER MICHAEL'S DOING MASS (Actors' Theatre of Santa Cruz), THRIFTY'S FOR THE FUN AND FABULOUS (Published in Stage It: Volume 6), FORGIVENESS COSTS (Produced at Baldwin Wallace University and Published in New Plains Review), WE'LL GET TOGETHER (Published in Fresh Words), A PERFECTLY GOOD SCHOOL (Semi-Finalist in the Juice Box One Act Competition at Lake Shore Center for the Arts), BY THE COVER (Published in Apricity), YOUR FATHER PAINTS AS THE BOMBS FALL DOWN AROUND US (Published in Ponder Review), THE ACCENT (Produced by Truman State University and Published in Stage It: Volume 7), HOLD A PLACE FOR ME (Produced by Pend Oreille Players), THE DEATH OF TOM SIZEMORE (Published in the Westchester Review), NECTARINE FROSTING (Produced at the Toronto Fringe Festival), DEATH AND THE TIME TRAVELER (Produced at the Boston Theater Marathon and by Port Troupe Players), SNACKS (Finalist in the Durango Arts New Works Festival), THE HIPPO DANCE (Published in Mini Plays Magazine), PORTUGAL (Published in The Coachella Review and a Finalist at the Fresh Fruit Festival), CANDY (Produced by the Chain Theater as part of their New Works Festival and a selection of the William Inge Festival), BEAUTIFUL, BEAUTIFUL CLEOPATRA, WE RIDE AT DAWN, OR WHENEVER, THE FISH AND THE WORM, BEREAVEMENT DAYS, and THE LITTLE MATCHSTICK GIRL ISN'T GOING TO DIE (All Produced by Open Door Playhouse), A LITTLE FAMILY HISTORY (Published in Qu Literary Journal), THE BOROCHI (Published in Fleas on the Dog), THE QUEEN AND HER HIVE (Produced at The Old Library New Works Festival), The FRENCH INVADER (Published in the Hominum Journal and Selected by the NSCTA for Special Recognition), ABOUT THAT RAISE (Produced by Iowa State University), A VERY NICE FIRE (Published in Stonecoast Review), WELCOME TO OUR EXORCISM (Published by Nightshade), LIVE LONG AND--WAIT and THE MUSICAL GENIUS TRAVELS BACK IN TIME TO LET HIS PARENTS KNOW HE'S A GENIUS (Produced by the Paragon Festival), GERTIE (Produced by The Kent School), CHARLIE AND STAN (Produced by The Porthole Players), LET'S TALK UNTIL WE'RE NOT LONELY ANYMORE and BEREAVEMENT DAYS (Produced by Appalachian State University), THE LANDLINE (Produced by Tiger's Heart Players), and GO BACK, GO BACK (Produced by Grosse Pointe Theater).