“ Every industry has been plagued by our current bout of unsustainable, late-stage capitalism. Gill's play is a troubling, keening mosaic of three truckers, some veteran, some rookie, all caught up in the vortex. It's an enlightening reminder that at the bottom rung of everything, are people. People with hopes, dreams, aspirations, and faults, just trying to survive in systems that don't particularly care if they do. It's brutal, moving, and heartbreaking, and if anyone is going to make it, it's because of the people willing to stay up with us. ”

“ We know that cosmic horror is about the glimpses. The sudden knowledge of far too much or a visage of gods so vast that it breaks our brains. But it's so rare to encounter a play that feels like madness. From the first syllable, Horowitz's play feels insane. Not rad, not crazy, but fully immersed in something broken, and the more of it that we parse, the more we succumb to the fate of its characters. A fantastic short for two actors, no special effects budget needed. Check this out now. ”

“ The best short plays often end leaving us recontextualizing everything that came before it. It is (pardon the pun) a delicious thing, and Smith's "Tasty" supplies in spades. I shant spoil why Smith doesn't eat and Jones eats everything, but will offer that the pay-off is pitch perfect. Delectable. ”

“ First of all, what a magnificent title. This is a title everyone sees and wishes they had thought of it. It's absolutely brilliant, and if you disagree, thou art a liar. Moving forward, Bultrowicz puts voice to a compelling thought. "How telling is it that in the human imagination, the natural escalation of AI sentience comprehending human atrocity is the atrocity of our own genocide?" Thankfully, ADA is not human, and listening to her thoughts, hopes, and dreams is one of the most powerful monologues you will ever encounter. Everyone should read this. Then do it. Stellar. ”