[TEN-MINUTE DRAMA]
Not all loved ones are loved ones . . .

Karissa and Eileen have just been informed that there's no hope that Tom, their husband and son respectively, will ever regain consciousness after a car accident. The decision must be made to either remove life support (and help others by harvesting his organs), or let him continue indefinitely (which could mean years).

Eileen wants to wait, hoping beyond hope he'll wake up. But Karissa, who was on the verge of leaving Tom before the accident, is not so sure. And her lifelong friend, Gina, has very definite ideas about when Tom should go.

[FULL-LENGTH ROM COM DRAM]
Sometimes it takes a lifetime of stories to tell the story of a lifetime.

Unrequited love, religious epiphanies, posing in the nude, an abusive marriage, and the secret powers of nuns ... these are just some of the stories Sonia and Mason tell each other from their individual lives.

As the stories unfold -- and the mysteries and tension heighten -- we discover there is so much more to Sonia and Mason than at first appears . . . so much more to the stories . . . and so much more to their relationship -- past and present.

Now, can they complete the story of a common past they once shared more than three decades earlier?

[ONE-ACT DRAMA]
Every evening without fail, Beth appears on Marissa's front lawn to spend time at the makeshift memorial that's been erected there, the exact spot of her daughter's last moments of life after being struck by a hit-and-run driver. The two women have struck up a genuine friendship based on shared tragedy, but now Marissa is looking to move on — and she thinks Beth should do the same. (Formerly titled: Send Forth Thy Mercies.)

[FULL-LENGTH COMEDY-DRAMA]
Mazy has always hated baseball — it took some arm-twisting by Owen, her on-again, off-again boyfriend, to even get her to go to a game. Getting hit on the head by a foul ball is not likely to change her mind.

To make things worse, when she comes to, Mazy seems to have developed, in addition to a headache, a very disturbing new talent (“Blessing? Curse? Party trick? I don’t know.”). It seems she can “see” anyone’s deepest, darkest secret, the one single thing no one ever wants to see the light of day. And she has a tendency to blurt it out without thinking.

Her new talent wreaks havoc in her life and those around her as she tries to figure out why she can do what she can do. She is helped along the way by a mysterious, possibly homeless, guide: Gert.

Mazy takes the audience into her confidence, breaking out from the action to share her thoughts and feelings with them directly. She comes to believe “something big was in the works . . . that this won’t stop until I see the biggest secret from the biggest individual I could encounter. A secret that would give meaning to everything.”

[FULL-LENGTH COMEDY-DRAMA]
They say the hardest thing a parent can ever face is the death of a child. But what about a death caused BY their child? How does a parent face that? The guilt and the shame are in direct conflict with the natural need to support and protect their own child. A wickedly funny drama about second chances, no chances, and last chances.

[FULL-LENGTH COMEDY]
One fine Saturday morning, Wren Wright finds a disturbing note in the mailbox, addressed to her. Anonymous, handwritten, unstamped, and positively cryptic, it reads simply: "Character Counts". Wren, already struggling with stability and balance issues, is set off on a journey to discover which of her "nosy, judgmental" neighbors sent it and why. Is the note, as she believes, condemning her past behavior? Or is it, as her husband Ben asserts, commending her recent actions?
The prime suspect in Wren's estimation: 87-year old Edna Jenkins, with whom she's had a longstanding feud. Of course, Edna has her own skeletons rattling about (did she really rob her best friend's cradle?). Soon, it's learned that the neighborhood layabout and cowboy wannabe, Brett, has also received the note. As has the creepy, voyeuristic Mr. Maladroix. And who knows who else? Brett's teenage daughter Addie has her own higher-powered ideas about who sent it, but then so does everyone else. Before fingers can be fully pointed however, another, similar note arrives. And then another. And then, more.
And finally, a note arrives inviting all to meet at 10:00pm on a Friday in June to "discover the true meaning of character."
A somewhat mysterious, positively twisted, flat-out hilarious look at the neighborhoods and communities in which we all live.

[TEN-MINUTE COMEDY]
Pauline returns to her desk to find something's missing. The likely suspect? Co-worker Simon, who sits at the next desk. Is Simon a thief? Or was this a cry for attention? Or was the missing item ever really there?