“ Perlmutter pairs characters Shakespeare never allowed to speak together to tell a well-known tale from the woman’s perspective, exploring and exploding preconceived ideas of ambition, and the frustration and madness that arise when your own advancement and success depend upon the actions of men. Sinister, satiric and sexy, compact and compelling. Highly recommended. ”

“ Brett is a shining wit, master of the elegantly absurd (or absurdly elegant) turn of phrase, and the cleverly dropped pop culture reference. This brief script is a delightful, jewel-encrusted box of Cracker Jack, at once classy but déclassé. A high-tone howler. Hilarious! ”

“ Gunderson has written a concise, playful, and earnest tale of how Shakespeare’s First Folio might have come together. Surprisingly energetic for a story about publishing, the playwright also very successfully tackles such questions as what is the enduring attraction of Shakespeare, and why do we even produce and attend the theater? Finally, Gunderson once again squarely addresses the hardship and wonder of mortality with dignity, pathos, and joy. A brilliant work by one of our great modern playwrights. ”

“ Like a Yoruba folktale mash-up with the works of Sam Shepard, filled with animal characters in human form slouching in an existential, American tableau, “Glass” pulses with ancient magic as Life and Death engage in a barroom brawl with Anansi playing bartender. This script is fanciful and fierce and not to be missed. ”