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Andrew Kramer

Recommended by Andrew Kramer

  • Grown-Ass Louis by Bruce Walsh
    23 May. 2017
    “ I had the pleasure of experiencing and (then proudly recommending) GROWN-ASS LOUIS for KCACTF at The Kennedy Center. I was blown away with the punching power of this play. Seemingly small in form but explosive in content and craft, GROWN ASS LOUIS is sophisticated in language and structure. Bruce shows that he has truly sharp skills...capturing something theatrical, unique, and deeply moving. ”
  • The Mermaids' Parade by Gina Femia
    8 May. 2017
    “ Gina's voice, imagination and poetry are not to be missed. This play is a lovely package of compassionate and sophisticated theatre. ”
  • Air Space by Tori Keenan-Zelt
    27 Apr. 2017
    “ Tori's plays are like the best sort of delectable little hard candies you find yourself often craving - sweet and sour and savory and unlike anything else your palate craves. AIR SPACE is truly thrilling in really theatrical ways. ”
  • The Ice Treatment by Nate Eppler
    27 Apr. 2017
    “ I've been lucky enough to experience this play pretty intimately for a while now, and I'll say this: I think about it almost every single day. And it's impossible not to. Punching you with a dangerous cocktail of hysterical laughs and devastating psychological place making, THE ICE TREATMENT demands that we ask questions about our celebrity-stuffed world, where economic delusion and personal narratives are broadcast, believed and then dismantled before we have the chance to blink. ”
  • Locusts Have No King by C. Julian Jiménez
    27 Apr. 2017
    “ LOCUSTS HAVE NO KING took my breath away the first time I read it - truly. A deliciously deceptive and complex exploration of queerness and identity, with the signature theatricality that always pulses in Julian's work. ”
  • This Bitter Earth by Harrison David Rivers
    26 Jan. 2017
    “ Exactly the type of play theatres and audiences across our country should be craving, devouring and digesting right now. All too timely in the most complicated ways with one of the most stunningly crafted monologues I've ever experienced to end Act I. A play I'll be contemplating for some time. ”

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