Recommended by Jenny Connell Davis

  • Jenny Connell Davis: ¡VOS!

    This play is glorious...the way that doubling is used is ingenious and purposeful, and the way it plays with time is dizzying but perfect. Gonna keep pushing for it, hard.

    This play is glorious...the way that doubling is used is ingenious and purposeful, and the way it plays with time is dizzying but perfect. Gonna keep pushing for it, hard.

  • Jenny Connell Davis: The First Time

    Wow, this one is unflinching, and lets NO ONE off the hook. Sometimes, truth is like a knife, and this play is sharp as hell.
    A complicated exploration of race, racism, complicity, self-loathing, and the way that old wounds can stay with you.

    Wow, this one is unflinching, and lets NO ONE off the hook. Sometimes, truth is like a knife, and this play is sharp as hell.
    A complicated exploration of race, racism, complicity, self-loathing, and the way that old wounds can stay with you.

  • Jenny Connell Davis: SCRIBE, or The Sisters Milton, or Elegy for the Unwritten

    Rich language, terrific character work in the three sisters, with a lot to say about how history is written, who's written out of it, and what counts as "important" work. It truly lives up to the description of "poetic, playful and unflinching." I'm dying to see it on stage.

    Rich language, terrific character work in the three sisters, with a lot to say about how history is written, who's written out of it, and what counts as "important" work. It truly lives up to the description of "poetic, playful and unflinching." I'm dying to see it on stage.

  • Jenny Connell Davis: One-Shot

    Give this PLAY a shot! I got a chance to read this play in a diverse intergenerational reading group, and ALL of us took slightly different things from it, but we were agreed that the play is a beautiful reminder that everyone approaches life with their own unique histories, so that even when we go through the same experience, we won't see it the same way. A brilliant exploration of perspective, and how it can splinter even the most tender of relationships. Bravo, Rosendorf. Really, REALLY great work here.

    Give this PLAY a shot! I got a chance to read this play in a diverse intergenerational reading group, and ALL of us took slightly different things from it, but we were agreed that the play is a beautiful reminder that everyone approaches life with their own unique histories, so that even when we go through the same experience, we won't see it the same way. A brilliant exploration of perspective, and how it can splinter even the most tender of relationships. Bravo, Rosendorf. Really, REALLY great work here.

  • Jenny Connell Davis: The JonBenét Game

    Dang, this play is DARK, and dang, Keenan-Zelt knows how to use the tools of theater to tell a twisty, compelling story. This was one of those plays where I kept wanting to look away and COULDN'T look away. The description above talks about "delicate, dangerous, and often grey space" and that is EXACTLY where this whole play lives. Whew. I need an ice cream cone, and to walk this one off.

    Dang, this play is DARK, and dang, Keenan-Zelt knows how to use the tools of theater to tell a twisty, compelling story. This was one of those plays where I kept wanting to look away and COULDN'T look away. The description above talks about "delicate, dangerous, and often grey space" and that is EXACTLY where this whole play lives. Whew. I need an ice cream cone, and to walk this one off.

  • Jenny Connell Davis: Esther Choi and the Fish that Drowned

    Beautifully specific relationships, bringing new meaning to "haunted." Walters does a great job of taking characters we THINK we know and twisting them, just a little, into something we have to look at more deeply, to really see. Really nice work.

    Beautifully specific relationships, bringing new meaning to "haunted." Walters does a great job of taking characters we THINK we know and twisting them, just a little, into something we have to look at more deeply, to really see. Really nice work.

  • Jenny Connell Davis: We Are the Forgotten Beasts

    A really compelling read, with finely drawn character work, relationships that keep unfolding, serious theatricality. This play had me feeling all my feelings, awake to wonder in new ways. Would love to see it staged!

    A really compelling read, with finely drawn character work, relationships that keep unfolding, serious theatricality. This play had me feeling all my feelings, awake to wonder in new ways. Would love to see it staged!

  • Jenny Connell Davis: Class C

    A dystopian reality that feels disconcertingly close to our own, with finely drawn characters and a plot that kept my pulse rate up from beginning to end. I can't stop thinking about this play, and can see the set when I close my eyes. Truly, truly, a riveting piece.

    A dystopian reality that feels disconcertingly close to our own, with finely drawn characters and a plot that kept my pulse rate up from beginning to end. I can't stop thinking about this play, and can see the set when I close my eyes. Truly, truly, a riveting piece.

  • Jenny Connell Davis: The Mouth of the South

    I adore this play. It's a helluva role for a bold actress, touches on very relevant history in a way that resonates with today, and takes us on a journey. Brava!

    I adore this play. It's a helluva role for a bold actress, touches on very relevant history in a way that resonates with today, and takes us on a journey. Brava!

  • Jenny Connell Davis: Wasabia

    How this play manages to be both deliciously weird AND cut you to the quick with its humane, acerbic, fully-dimensional portrayal of the indignities of death and dementia is...beyond me. But I love it. I *cannot* *wait* to see Vivian, Carla, Di and Val on a stage near me, hopefully SOON. What a poignant and potent play, and what a fun challenge for different directorial teams!

    How this play manages to be both deliciously weird AND cut you to the quick with its humane, acerbic, fully-dimensional portrayal of the indignities of death and dementia is...beyond me. But I love it. I *cannot* *wait* to see Vivian, Carla, Di and Val on a stage near me, hopefully SOON. What a poignant and potent play, and what a fun challenge for different directorial teams!