“ I had the great fortune of hearing this piece at a Monday Night Critique Session through Working Title Playwrights and all I can say is oh. My. God. There is such power in this monologue and Benjamin Carr's dialogue is simultaneously a gut punch and a feather boa on your skin. Read this monologue. Embrace it. Then produce it. It's a powerful piece tackling family, drug abuse, owning who you are, how we choose to remember the dead, and the way the dead ought to be remembered. ”

“ If you're familiar with Emily Hageman's work then you already know she has a beautiful penchant for writing young characters and creating gripping plays for younger actors. THE INEXPLICABLE CHAOS FACTOR OF MIA GREGORY is another shining example of Ms. Hageman's skill. Strong LEADING roles for young women, a delightful cast of awkwardly real characters, and difficult subject matter in the forms of mental health and suicide; all are tackled with finesse and care. ”

“ THE CURSE OF DYSFUNCTION is a beautiful slow burn of a play. From the jump, there's this sense of impending doom lingering overhead and each of Baynard's characters is inching their way closer and closer to it. By the end, Baynard creates his own beautiful and twisted masterpiece that demands his audience question the lengths they would go for family. The gore in this play would be a delight for a set designer and props master to collaborate on. I'm very eager to see this play staged with full special effects! ”

“ Liz Dooley's knack for delightfully weird and honest characters shines in all of her writing but especially in FIDGET AND TILDY. A powerful youth play with strong messages about dealing with fear and trauma, embracing maturity, and the bonds of family–Dooley's imaginative and honest re-imagining of Peter Pan is a joy to read and would be even more wonderful staged. ”