Recommended by Greg Burdick

Read this play by Rachael Carnes right now. Then read her play “In Training.” Next, immediately produce both as companion pieces... if you’re looking for an uproarious take on the devastating absurdities of corporate life... in your next evening of shorts. Both plays are home runs.

Harmon has hilariously taken what must surely be two rejected characters from an earlier draft of “Beauty and the Beast,” and for extra measure sprinkled on a little Tarantino. Lil’Goblet may appear fragile, but this chick is streetwise, and is ready to throw down. Shun, despite his former emotional trauma, has a razor sharp wit, and tongue to match. I’d love to see these two, (and maybe more!) in a musical version. This short would be crazy fun for costume and prop designers!

Thompson gives this short a retro feel that conjures the sensibilities of a Carol Burnett sketch, or perhaps something from “Laugh-In.” Theatrical, farcical, playful. But it also captures a distant moment in time displaying power dynamics in gender, and how American culture handled unmarried couples trying to secure a hotel room. In the end, it’s Shirley’s vision of her future that empowers her to get what she wants. A nostalgic bit of sketch comedy.

A great premise opens this 10 minute play. It’s the evolutionary social consequence of a culture Tweeting: where word count is invoiced, but in this case, self-expression is finite. You only get so many words in Grogan’s world of information control. How her characters handle this is sharply contrasted: for Lily, words are precious, and carry significance, so she’s careful with hers. Brian needs more real estate to get his point across, and he’s willing to risk the bean-counters’ punishment if he reaches his limit. But, to get the girl, will he find the right words?

Hageman’s experience as an educator shines in this play. She has a clear ear for teen dialogue, giving the work an authentic feel. What’s more, she’s deeply tapped in to her student’s fears and insecurities. “Next Year and Other Indefinable Things” is a fantastic piece for older teens on the brink of the high school/college transition... a time fraught with uncertainty, anxiety, and self-doubt. This play shows she understands her students... she must be a fabulous teacher. A wonderful piece for three female performers.

Tiffany Antone has harnessed an almighty power in this outrageously funny, and thought provoking play. Maybell’s “wormhole” (how will I ever be able to hear this word again and not giggle like a middle-schooler?) possesses great strength. Superhuman. Goddess-level. And as she learns how to wield it in “THE SPACE BETWEEN HER LEGS,” we’re taken on a daring ride. What I loved most: while Antone makes all the male characters look like absolute nitwits, she gives their female counterparts equitable eccentricities. The takeaway? We’re all a hot mess trying to figure things out. Equally powerful. Equally powerless.

This would make a beautiful companion piece to Lee Lawing’s play “Trinkets for Jenkie.” Caroline and Aaron have what all of us want- a lifelong love affair that can overcome any adversity, big or small. This short play is loaded with stunning imagery, gorgeous speeches, and excellent interplay between an aging married couple that feels familiar and wholeheartedly realistic. I’m looking forward to reading more of this playwright’s work.

If you’ve dealt with a loved one battling dementia, you’ll immediately connect with Lawing’s imaginative and touching story. It’s important to play along with the reality of a person who has lost touch with it, but sometimes it’s nearly impossible . This is seen in the the struggle between brothers Joseph and Shane. But Jenkie’s relationship with, and explanation for the crows is so convincing (despite the madness of it all,) it makes us want to believe every word. A gem role for a senior actress- a gift that Lawing has dropped at your feet.

Young parents Tina and Ryan make the uncomfortable realization that, yep... everyone’s got a little freak to them. Including Mom/mother-in-law Peggy, who wears the badge shamelessly... no, with honor. And in Staats’ deliciously awkward short, like it or not, everyone involved is gonna leave satisfied. Audiences will too. Don’t be bashful- give it a look.

Put Frances McDormand and Laurie Metcalf in this scene immediately. Gatton’s play BETTER deserves performers with such chops. The characterization is full, their arcs rich, and the tension created between them when the scene comes to a head is an unforgettable hold-your-breath moment. Strong commentary on what women are capable of, their perceived limitations, and the consequences of settling for less. Outstanding.