Recommended by Greg Burdick

It’s true. Beauty can be found in the most unexpected places. Franky Gonzalez has a unique gift in helping us to find it in a correctional facility. Within just a few pages, I found myself fully invested in the journey of Prisoner #36664053. And while much of it isn’t pretty, there are glimmers of hope, and growth, and self-discovery. The story is gritty- making us look hard at racism, white privilege, and the injustices of the justice system. But there is salvation coming. Even if it comes at the highest cost. An extraordinary work that deserves your attention.

Sibling rivalry is about to come to a boil at the onset of this finely crafted 10-minute play. But the Boxer, perfectly capable of obliterating his opponent, chooses altruism and love instead. Gonzalez displays a strong command of the world of pugilism, and his imagery works beautifully here: shadow boxing… references to living in another’s shadow… His Champ resolves to kill with kindness, and forego what might be an easy victory to otherwise give room. Elegantly pointed contrasts between the crudity of physical violence, and the mercy of a brother’s love. A knockout.

While Pirandello’s Six Characters frustratingly wait for an author to finish their story, the family in Gonzalez’s quirky tour-de-force are at his diabolical whim throughout. It’s consistently funny, but it’s also like watching a metaphysical toaster… about… to… pop… and you just don’t know when. Well, in this particular case, you actually do. A perfect addition to any short play festival.

In this seemingly simplistic scene, the audience bears witness to the lifespan of a loving relationship: its glistening summits and shadowy depths, its generous rewards and punishing challenges. Gonzalez cleverly frames it invoking Adam and Eve “in the beginning,” and brings his story full circle examining the inescapable destiny of any marriage “at the end.” We’re left to consider what’s to be done when our investment of love, time, and commitment must, inevitably, come to a close. This carefully constructed piece has the power to be both stunning and haunting.

Convinced that there’s just no purity left in the world? Harmon proves that notion wrong with Cumorah... a bright-eyed twenty-something Mormon trying to widen her world, as she makes an impulsive (and illicit,) first time solo tour of New York City. Mom doesnt know she’s there, and surely wouldn’t approve. But Morah’s journey of self discovery can’t be contained. Along the way in this charming solo musical, we’re gifted with songs that are adorable, uproarious, and poignant. Be sure to check out the footage from its run at the Salt Lake Fringe Festival.

Lainie Vansant has crafted a gem. “Spark”is pitch perfect for middle or high school production. It touches on acceptance, self-discovery, the snags of teenage dating, and male toxicity. Her female-heavy cast features unforgettable, clearly drawn characters. This play would also be a fearsome and exciting challenge for designers tasked with Spark’s multiple dragon/human transformations. And how can you not grin giddily after reading “SPARK shoots a pillar of fire into the sky.” ??? I want to see that. I want to DO THAT! Put this one in your treasure trove.

We don’t get a great deal of dialogue from James and Jerry, but Jared Eberlein gives us more than we need in “Click” so we won’t make a snap decision about them... unlike the countless other folks who drive by them in this stirring short. A dream piece for sound designers, this play is an important commentary on rushing to judgement. Not at all surprised that this was a top ten finalist at the recent Samuel French Off-Off-Broadway Festival. Read this one. Produce this one.

As a kid, I remember reading and loving Roald Dahl’s short story “Lamb to the Slaughter.” I’m so glad I read Julie Zaffarano’s “The Roast” as an adult... creepy as hell, and all kinds of awesome. I just hope I can sleep tonight.

A tight and clever meditation on the moment when we’re forced to wrestle too early with our own mortality. Gartner’s setting for this story is perfect... along with her expertly timed sound cues underscoring Daniel’s dark journey. While it’s somewhat heavy in tone overall, she counterbalances with comic flourishes throughout. And you’re gonna love Hank.

This play is a master work. Goldman-Sherman offers a trigger warning in the pages preceding, but the story of Emma, Barbara, and Bobbie is a compelling lesson on how those struggling with the horrific aftermath of abuse can find a way to push through. Steeped in rich imagery, (I’m still marveling at the basement’s hothouse flowers, predator-filled aquarium, and goldfish pond...) FUKT unashamedly puts the inner-monologue of a survivor boldly on display. Emma’s journey is difficult, but her ultimate self-assertion will likely give triggered audience members the courage to make the vow: “I will tell.” Bravo.