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Nick Malakhow

Recommended by Nick Malakhow

  • ONCE UPON A (korean) TIME by Daniel K. Isaac
    26 Jun. 2019
    “ A beautiful piece that ranges from the everyday to the fantastical with seamless shifts. Similarly, we go from the hilarious and whimsical to the heartbreaking and gutting sometimes within a few lines. Brilliantly theatrical storytelling. The various parables and folk tales are presented in unique and fascinating ways, and are stitched together with some very satisfying framing devices. As I finished the piece, I considered cultural inheritance, collective trauma/healing, the evolution of folklore, and the responsibility/inevitability of honoring, acknowledging, and passing lessons down. I hope to see this produced soon! ”
  • John Proctor is the Villain by Kimberly Belflower
    26 Jun. 2019
    “ This play is wonderful! I appreciate it on so many levels--as a playwright, English teacher, as someone who has directed THE CRUCIBLE (but I hope never again). The characters here are all deftly rendered, distinct, and uniquely voiced. This play had me laughing aloud for most of it, and so cathartically moved by its end. I do hope this becomes a staple to be produced in colleges. The language might scare off high school drama/English teachers, but teens should read this--perhaps in a HS unit on THE CRUCIBLE if a district chafes at performing it. Brilliant work! ”
  • Dong Xuan Center by Jesse Jae Hoon
    25 Jun. 2019
    “ What a beautiful piece! Lili is a compelling protagonist, and her journey is unique and nuanced. What I admire most about this play is how subtle the shading is for every character. The natural rhythms of speech are captured beautifully, along with thoughtful and at times lyrical monologues that don't feel forced but, rather, feel like genuine moments of revelation for the characters speaking them. Like the best plays, the specificity and richness of these characters from a world so different from my own only heightens the universality of the themes. Citizenship, belonging, betweenness/cultural liminality--so much to think about! ”
  • Vanquished by Jennifer Makholm
    24 Jun. 2019
    “ This is a wrenching and masterfully structured piece that illuminates violence of all kinds against women from ancient roots to modern horrors. As individual units, each act stands alone as a compelling theatrical experience. Stitched together, they all take on a new power and resonance that is painful, terrifying, prescient, and perspective shifting. The last few lines gave me chills. Wonderful use of doubling. Reading this is unique in that, as the narrative shifts backwards in time, I feel encouraged to think in the present and future--how to recognize and break cycles of oppression as they happen. ”
  • Mothers by Anna Ouyang Moench
    21 Jun. 2019
    “ The biting hilarity of act one was the perfect set up to the gutting denouement in act two. Moench creates a super distinct and well-defined world in this piece while only giving us a small cross-section of society--so incredibly impressive! What we don't know of the redefined world in act two is tons more evocative and haunting, I believe, than if we were taken outside the walls of the meetup space. Supremely theatrical, well-paced, consistently surprising, and wholly original. I hope to see this produced some day soon! ”
  • Laced by Sam Mueller
    20 Jun. 2019
    “ This is a fierce and beautiful play! The irregular rhythms and hilarious/human patterns of everyday speech are captured so well here in three dynamic and distinct characters who live at identity intersections consistently and unfortunately neglected in produced work. That finely-tuned realism is counterbalanced by some glorious poetry towards the end of the piece with two of the most wonderful monologues I've read in a while which gave me the chills. The theatrical conceits of cleaning the bar throughout, the time jumps, and the aural landscape heighten the theatricality of the piece. Hope to see this produced soon! ”
  • The Lucky Ones by Lia Romeo
    20 Jun. 2019
    “ What a joy to read! This script had me both laughing aloud and tearing up in alternating turns. This transcends the genre of "cancer play" to be a truthful and human exploration of friendship. I love how it poses questions about the evolving role of friends in one's life over time, and the poignant statements it makes about the lack of words and tropes we have to capture the navigation of major life changes between friends. Vanessa and Janie are hilariously real and nuanced, and the use of the shape-shifting third actor embraces overt theatricality with panache. ”
  • Refuge by Andrew Rosendorf
    19 Jun. 2019
    “ Wow--what a beautiful piece. Definitely a play where the reading of its glorious stage directions provides a lovely glimpse into the visual, aural, sensory world the play might have on its feet. The three central characters are so finely drawn, and vivid as real and distinct human beings. Their interactions are written with tenderness and humanity. I'd be thrilled to see how the puppetry elements and other design pieces would come together to bring this piece to life further. I hope it gets developed and produced soon! ”
  • Something in the Balete Tree by Ren Dara Santiago
    19 Jun. 2019
    “ This piece is beautiful and haunting. The scenes travel between the irregular and often hilarious rhythms of natural speech and wrenching poetry. This play is theatrical in the best way. Reading it doesn't do justice to the visual, aural, fully sensory experience I have no doubt it will be in production. Sammy, Miyuki, Nicholas, and Aki-San are well-drawn and compelling characters, and the manners in which Eve Angel and Prince weave their ways throughout the narrative are so propulsive. In zeroing in on such a specific story, it also succeeds as an exploration of justice, resistance, and trauma. ”
  • @Playaz by Dana Schwartz
    18 Jun. 2019
    “ This play is hi-larious! So fast-paced, I actually couldn't stop reading until I finished. The scenes are tightly written and the piece as a whole impeccably structured. These four characters are all incredibly distinct, unique, and rendered with such nuance and panache. I was also surprised by the disarming tenderness that came through particularly in Joy and Aiden's interactions, as well as some of the moments between Aiden and Charlie. This piece feels highly theatrical, and it would be a treat to see it onstage. I hope I get the opportunity to do so soon. ”

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