“ Small towns and families have secrets. In one particular family in one particular small town, one of those secrets is who caused the death of an alcoholic and abusive man. Family members, old friends, and romantic rivals all have opinions about who did it. Rachel Feeny-Williams works out the solution to this mystery in a very satisfying script that keeps you guessing even after you think you've identified the murderer. Very good, intriguing work. ”

“ When a young man named Jared shows up in much older Luke's back yard to collect a debt owed by Luke's deceased partner, they find a way to communicate across the generational divide. This is helped by Jared's revelation that he, too, has suffered a loss, that of his father. The dialogue, especially Luke's jaundiced view of the world, sparkles, and the two develop a budding friendship. Williams has an enviable talent for handling relationships, and the result here is a very satisfying short play featuring two guys you'd really like to get to know in person. ”

“ I love it when a writer takes well-known literary characters, keeps them in their accustomed milieu, but totally reimagines their personalities and their relationships. Fenton does that here with the familiar denizens of Neverland, supplemented with a couple of new people of his own devising. The result is a grittier Neverland than Barrie could ever have imagined, and some of the characters we have always loved turn out to be not so lovable. This is super work, forcing us to re-think our previous impressions of Peter, Wendy, Hook, and, especially, Tinker Bell. ”

“ Kim E. Ruyle populates his plays with interesting characters with distinct personalities. The four in this play are no exception. Each is looking for love, but they don't always know how to find it, and one is definitely looking in the wrong place. Strong story, realistic dialogue, characters you care about, an unforeseen denouement. Vintage Ruyle, and, as always, excellent playwrighting. ”