Rachael received a 2020 Oregon Literary Fellowship, a 2021 Lighthouse Writers Workshop Advanced Dramatic Writing Fellowship, and has had more than 250 readings, development workshops and full productions, across the U.S., U.K., the Middle East, Canada and Asia, with recent invitations to develop work at the William Inge Theatre Festival (2018), the Kennedy Center for the Performing Arts Playwriting Intensive (2019), the Midwestern Dramatists Center Conference (2018 & 2019), the Mid-America Theater Conference (2019 & 2020), the American Association for Theatre in Higher Education New Play Development Series (2019), the Sewanee Writers’ Conference (2019), the Ivoryton Playhouse Women Playwrights Initiative (2019), the Parson’s Nose Theatre’s Women Playwright Series (Winter and Fall, 2019), the Cambridge U.K. WriteON Festival (2019) and the Samuel French Off-Off Broadway Festival (2019 & 2022) and the Great Plains Theatre Conference (2020/2021) with her play selected for full production at Great Plains in 2023. Her work is seen in many literary journals, including the Coachella Review, the Silk Road Review, Feels Blind Literary, the Extinction Rebellion, Some Scripts, the StoneCoast Review, Quince Magazine, Hamilton Arts & Letters, Smith & Kraus Best Plays and Best Monologues anthologies (2021 & 2022), the Hominum Journal, the Canyon Voices Literary Magazine, the Ponder Review and more. Her work has been nominated for a Pushcart Prize. Rachael is the founder and editor of CodeRedPlaywrights, a consortium of writers across the country, responding to gun violence. She served for three years as regional representative for the Dramatists Guild of America, is a national voting member of the League of Professional Theatre Women, is the coordinator of New Play Development for KDC Theatre, London, and is a festival reader for the Athena Project, the Blank Theatre Living Room Series and the American Association of Theatre in Higher Education.