Kate is the founder of Heartland Intimacy Design & Training, an intimacy training company which offers academic, accessible, and affordable intimacy training entirely online. She has taught several workshops on staging intimacy, as well as designing intimacy for several productions. Her specific area of expertise is staging sexual trauma and assault and how to assist actors in leaving these moments behind in the theatre. Recently, Kate served as the festival intimacy consultant for the Great Plains Theatre Conference, and will be returning to her role in person this summer in Omaha, Nebraska. She has also published articles in major publications such as Theatre Topics and The Fight Master.

Kate is currently the Assistant Professor of Movement and Stage Combat at the University of Oklahoma. She completed her Ph.D. in Theatre and Performance Studies at the University of Missouri in 2019. Kate has two research agendas: theatrical violence and theatrical intimacy. Her dissertation, "Killing 'Woman': Gender and Violence in Selected Works by Sheila Callaghan and Marisa Wegrzyn," examined how performances of violence committed by the characters within Callaghan's and Wegrzyn's works challenge heteronormative notions of gender.

Kate is an Actor Combatant with the Society of American Fight Directors (SAFD) with certifications in unarmed combat, rapier & dagger, quarterstaff, single sword, broadsword, broadsword and shield, knife, and theatrical firearms safety. She is also a member of the Association of Movement Theatre Educators (ATME), Association for Theatre in Higher Education (ATHE).

Kate is also a director, primarily directing new student-written work, play reading festivals, and regional semi-professional theatre. She is an Equity Membership Candidate (EMC) with the Actors Equity Association (AEA).