Recommended by Tom Erb

“Old Friends” captivates with authentic dialogue and deep character arcs. The plot unfolds naturally, reflecting life’s simplicity and depth. The tone balances humor with poignancy, and the theme of companionship shines clearly. The writing style is engaging, inviting readers into a heartfelt Midwestern tale. It’s a must-read for those who appreciate nuanced storytelling and rich, relatable characters.

“Backyard Stonehenge, Reclaimed” is a comedic gem that turns a suburban spat over stolen stones into a delightful dance of dialogue. Jacquelyn Floyd-Priskorn’s pen paints Mrs. Ferria with the spunk of a sitcom star, while Jude provides the perfect pinch of practicality. A garden-variety quarrel escalates into an early morning escapade of elderly empowerment. It’s a lighthearted look at lawn law, and order that proves even the pettiest squabbles can pave the path to punchlines.

“The Backyard Stonehenge Chronicles” is a backyard bash of emotions, where TJ’s stone-cold surprise for Kendra turns into a rockslide of revelations. Priskorn’s dialogue is filled with humor and heart, crafting characters as flawed as they are endearing. Jacquelyn Floyd-Priskorn’s concept of A DIY Stonehenge is less about ancient druids and more about modern truths. It’s a comedic excavation of love, apologies, and neighborly theft that proves sometimes the best intentions need a little more than just a few pilfered pebbles.

Emmet F. Cameron gives the audience a cozy chat with your quirky neighbors over a cup of chamomile tea. “Sweet Home” dialogue moves between warmth and wit, revealing characters who feel like old friends. Caro, Dee, and James navigate life’s complexities in an inviting and mysterious home. It’s a delightful blend of heart and humor that leaves you craving homemade cookies.

Brent Alles has brought us a theatrical romp that marries ancient myth with reality TV zest. Alles's script is a masterclass in wit, weaving dialogue that snaps with humor and characters that burst with larger-than-life personalities. The “Kid Heracles and the Ultimate Pantheon Challenge” concept is a stroke of genius, pitting deities in a divine game show that’s as unpredictable as Zeus's lightning bolt. With a flair for the dramatic and a keen eye for the absurd, Alles ensures that this Olympian contest is one for the ages. It’s a Herculean comedy that will surely have audiences applauding.

Janine Sobeck Knighton’s “The Release of the Shrew” is a Renaissance reboot that delivers a fresh take on familial foibles. Knighton’s pen dances with witty dialogue and sharp character contrasts, painting Kate and Bianca in vibrant strokes of complexity. The concept of a widow’s woe and willfulness, provides a rich theme of grief and autonomy. Knighton’s script is a clever blending period drama with modern sensibilities, making it a must read for any bard buff.

Lou Jones crafts a narrative that is rich in irony and familial tension. Through sharp dialogue and vivid character development. In “Breaking the Camel’s Back,” Jones expertly explores the dichotomy of social media facade versus genuine legacy. The concept—a live-streamed attic rummage—serves as a clever device, unearthing the value of family roots over material gain. A passionate, contemporary piece that resonates deeply.

Meurer’s abilities shine through in his sharp dialogue, capturing the essence of Aurora’s depression and Philip’s neurodivergence. The characters are richly developed, and their interactions evoke humor and passion. “A Hundred Years” is a delightful twist on the classic Sleeping Beauty tale. The concept cleverly navigates misunderstanding and communication, making this play a fresh and engaging exploration of timeless themes. In this far-from-sleepy adaptation, Meurer invites us to wake up to the complexities of human connection.

Mike Byham’s “Rainbow’s End” is a succinct yet evocative play that highlights his ability to write a compelling narrative within a futuristic military setting. The dialogue is crisp and purposeful, driving the development of the characters who grapple with the anticipation of combat. Byham’s concept cleverly connecting the mundane routine of training with the looming threat of conflict, creating a tension-filled atmosphere. His skillful writing prompts the audience to consider the psychological landscape of soldiers preparing for an unseen enemy, making “Rainbow’s End” a thought-provoking piece.

Flynn’s ability to develop these characters within the confines of a minimalist set is impressive, showcasing his understanding of human nature. Christian Flynn’s “CORRESPONDENTS” showcases his versatility as a playwright. His dialogue is sharp and engaging, capturing the essence of characters who are complex and multifaceted. The concept of the play is innovative, breaking the fourth wall and inviting the audience to interact with the narrative. Flynn’s work is a clever blend of comedy and drama, making “CORRESPONDENTS” a standout piece in contemporary theater.