Sarah Tuft

Sarah Tuft

I’m a playwright and media artist whose work’s been presented at The Kitchen, MOMA, New Museum, and Central Park SummerStage with performances and workshops at The O’Neill National Playwrights Conference, Geffen Playhouse, Public Theater, Vineyard Theatre, Valdez Theatre Conference, InterAct Theatre Company, IAMA Theatre Company, Inkwell Theater, and San Antonio Public Theater.

My plays include...
I’m a playwright and media artist whose work’s been presented at The Kitchen, MOMA, New Museum, and Central Park SummerStage with performances and workshops at The O’Neill National Playwrights Conference, Geffen Playhouse, Public Theater, Vineyard Theatre, Valdez Theatre Conference, InterAct Theatre Company, IAMA Theatre Company, Inkwell Theater, and San Antonio Public Theater.

My plays include ABIGAIL (O’Neill, Blue Ink, and ANPF finalist), MARVEL-OUS MONICA; IN WHICH MONICA LEWINSKY IS A SUPERHERO HELL-BENT ON REVENGE (O’Neill NPC selection and BAPF semi-finalist), and 110 STORIES (published by Playscripts, produced by over 130 theaters, and performed by actors including Billy Crudup, Edie Falco, Samuel L. Jackson, Cynthia Nixon, Tonya Pinkins, Jay O. Sanders, Tony Shalhoub, and Kathleen Turner.

My short plays have been read/produced at Sony Plattsburgh, BAM, Ensemble Studio Theatre, Monster Box, Naked Angels’ Tuesdays@9, Sundog Theatre. My essays have appeared in American Theatre magazine, HuffPost, and New York Times. I’m a NYFA Fellow, Princess Grace Award semifinalist, Ground Floor at Berkeley Rep second rounder, and Humanitas finalist.

I teach playwriting workshops at SF Creative Writing Institute and to theater educators at EdTA conferences. My MFA is from Pratt Institute, additional studies at Ensemble Studio Theatre, Atlantic Theater Company School, and UCLA.

My play ABIGAIL is featured in the recent TDF Magazine piece, “Why Female Playwrights Are Reimagining Arthur Miller's Work.”

For more, go to sarahtuft.com...

Plays

  • ABIGAIL
    When renowned stage diva Savannah Wainscot funds an out-of-town try-out of “The Crucible” hoping to resurrect her once-legendary director husband Ben Meyers’ career, she pushes back when Ben wants to cast Ashley Rose—a beauty influencer with no acting experience—in the role of Abigail, until Ben promises to recruit Broadway star Kai Banks to play Proctor. But as Ashley digs into the history of the play, her...
    When renowned stage diva Savannah Wainscot funds an out-of-town try-out of “The Crucible” hoping to resurrect her once-legendary director husband Ben Meyers’ career, she pushes back when Ben wants to cast Ashley Rose—a beauty influencer with no acting experience—in the role of Abigail, until Ben promises to recruit Broadway star Kai Banks to play Proctor. But as Ashley digs into the history of the play, her objections to the play’s misogyny disrupt an early rehearsal. In their private meeting, Ben gets personal, then retaliates by bullying Ashley in front of everyone until Ashley loses it during a rehearsal, upending the play and all its players. ABIGAIL looks at generational differences between women on what constitutes acceptable behavior while exposing how the excuses we make for our revered giants work to perpetuate the cycle of predatory behavior.
  • MARVEL-OUS MONICA; IN WHICH MONICA LEWINSKY IS A SUPERHERO HELL-BENT ON REVENGE
    Developed at The O’Neill National Playwrights Conference... As Monica Lewinsky rehearses for her Talk, her PTSD keeps getting in the way, sending her spinning, literally, into an alternate universe. Will Marvel-ous Monica rescue The Pretty Young Coed from the Lecherous Professor? Will she learn the secret of Nasty-Woman, the mighty matriarchal superhero? And finally, will Monica be able to give her Talk by...
    Developed at The O’Neill National Playwrights Conference... As Monica Lewinsky rehearses for her Talk, her PTSD keeps getting in the way, sending her spinning, literally, into an alternate universe. Will Marvel-ous Monica rescue The Pretty Young Coed from the Lecherous Professor? Will she learn the secret of Nasty-Woman, the mighty matriarchal superhero? And finally, will Monica be able to give her Talk by making peace with her traumatic past? Combining humor, fantasy and verbatim theater, MARVEL-OUS MONICA offers an overdue #MeToo look at the slut-shamed young woman at the center of a notorious political scandal.
  • 110 STORIES
    Published by Playscripts and produced at over 110 community and academic theaters across the US and abroad... From the first crash at the Towers to a last goodbye at Ground Zero, 110 STORIES is a moment-by-moment journey through 9/11 as told by eyewitnesses, survivors, and recovery workers. These “everyday people” include a photojournalist, a mother, an ironworker, a nurse, a massage therapist, and a homeless...
    Published by Playscripts and produced at over 110 community and academic theaters across the US and abroad... From the first crash at the Towers to a last goodbye at Ground Zero, 110 STORIES is a moment-by-moment journey through 9/11 as told by eyewitnesses, survivors, and recovery workers. These “everyday people” include a photojournalist, a mother, an ironworker, a nurse, a massage therapist, and a homeless man who saved lives that day too. Their unflinching, freaked-out, and sometimes funny stories take us back to when 9/11 was unimaginable, capturing the shock and horror of the day as well as the resilience of New York City in the tragedy's aftermath. 110 STORIES memorializes September 11th without politics or hyperbole. Instead, it restores the human side to history by honoring our capacity for compassion.

    110 STORIES has been performed by actors including Ed Asner, Billy Crudup, Catherine Curtin, Ossie Davis, Ruby Dee, Noah Emmerich, Edie Falco, James Gandolfini, Neil Patrick Harris, John Hawkes, Jessica Hecht, Jon Heder, Katie Holmes, Neal Huff, Samuel L. Jackson, Sharon Lawrence, Melissa Leo, Aasif Mandvi, Katharine McPhee, James McCaffrey, Dash Mihok, Cynthia Nixon, Tonya Pinkins, Jeremy Piven, Jay O. Sanders, Susan Sarandon, Pablo Schreiber, Tony Shalhoub, Daniel Sunjata, Kathleen Turner, John Turturro, Ben Vereen, and many other fine actors. 

    110 STORIES has been staged at The Vineyard Theatre, Public Theater, Geffen Playhouse, Skirball Center for the Performing Arts, and Town Hall where excerpts were included in “Brave New World: American Theater Responds to 9/11." Directors have included Barry Edelstein, and Gregory Mosher. Producers have included Andrew Carlberg and Jennifer Maloney-Prezioso.
  • THE BIG ONE! (ten-minute play)
    In the aftermath of an earthquake, Will pays his neighbor Kayla a visit to see if she’s okay. Having lived through Hurricane Sandy, Kayla has disaster preparedness down to an art. But Will’s got his emergency kit together too, having survived Katrina. Each considers themselves prepared for anything... until the earth moves. It's "The Big One!"
  • AWESOME BIG SOMEBODY, (one-act)
    AWESOME BIG SOMEBODY is a dark comedy about a mother and daughter competing for the same celebrity. Pam schemes to adopt a baby for Him since celebrity adoption is all the rage, while her teenaged daughter, Baby, aims to bang Him so good, He’ll never want anyone else. In their desperate race to the star, mother and daughter draw unwitting allies to their cause. But when Baby gets pregnant, everyone goes to war...
    AWESOME BIG SOMEBODY is a dark comedy about a mother and daughter competing for the same celebrity. Pam schemes to adopt a baby for Him since celebrity adoption is all the rage, while her teenaged daughter, Baby, aims to bang Him so good, He’ll never want anyone else. In their desperate race to the star, mother and daughter draw unwitting allies to their cause. But when Baby gets pregnant, everyone goes to war. AWESOME BIG SOMEBODY is a wild romp through celebrity worship, designer adoption, compulsive shoplifting, teenage pregnancy, substance abuse, and the on-going war in the Middle East… in other words, a slice of America.
  • THE RAISINS GO WITH THE NUTS (ten-minute play)
    When Stacey insists her elderly mother be admitted to the ER during the pandemic, Barbara, the nurse at the registration desk, struggles to get her to calm down and describe her mother’s symptoms. But when mask-less Joan interrupts them, it quickly becomes apparent that the only thing mother and daughter are sick of is each other’s company.
  • THE PRICE OF BLUE (ten-minute play)
    Bluebeard has a new bride - again. Mother has concerns - not for the first time. And Josephine has a plan. THE PRICE OF BLUE follows what happens when Bluebeard’s mother tries to disrupt her son’s murderous ritual by casting doubt on his new bride’s fidelity. It bloody well better work.
  • JUST US TWO (ten-minute play)
    When two sisters prepare food for their mother’s funeral reception, Cate one-ups Stephanie’s grief with a startling revelation. But just as Stephanie begins to wrap her head around the news of her mother’s secret life, Cate drops one more surprise. With Stephanie furious about being the last to know, two questions remain: Will the sisters’ relationship survive the news? And what did Stephanie do with the bruschetta?