“ Elegant, alluring, elusive—the dancer Suzanna is a physical and visceral storyteller, impossible to ignore. But is her suspense-building narrative true? Or is what we witness just her “interpretative” dance/version of events? Is she victim or perpetrator? We can never know. And that—along with the sheer physicality of this monologue—is what makes the piece as impossible to ignore as Suzanna herself. A haunting conundrum that will spur many conflicting reactions from the audience. ”

“ The worlds of Samuel Beckett and Neil Simon collide in thIs amusing short play that suggests that with the right combination of optimism, delusion, and denial, paradise is attainable. Two fun roles for older actors. ”

“ Try new ideas and don’t get caught in the past, advises the specter of Rembrandt in this thought-provoking piece that explores timeless ideas of art: What is it? How do we value it? What have we encumbered it with? How does it change—for better or worse? And how can we find the authentic? This short play is so compelling (and filled with humor, too). Read it. Produce it. ”

“ Sickles’s little trope-busting comedy reminds us all that the old adage “there are no new plots, it’s what you do with them” can be a dangerous watchword in the hands of the wrong writer. Of course, Sickles is NOT the wrong writer, he’s the PERFECT one to skewer the art of writing with his always sharp irreverence. This wicked play lends a whole new meaning to “bedroom farce.” ”