“ It's a rare and wonderful thing to find a play that's equal parts adorable and uncomfortable while being utterly daring! Two actors perform a love scene on camera for a director. What's ingenious is that while the scene they're performing depicts a highly inappropriate encounter, the actors and director themselves are utterly appropriate and professional while doing so. But do lines eventually get blurred? What is permissible for the sake of art? A funny, uncomfortable, thought-provoking piece! ”

“ While I admit I’m predisposed to like any play where someone cries out “You lie!,” this was special. Fun and festive then profoundly heartfelt. It’s a play that will stay with you long after you read it. Producers: it’s a ten-minute play worth the large cast! Be fearless! ”

“ No one writes sisters quite like Jenny Lane. Or families. They are, as the best stage families are, unique and universal. Even the most lofty or pretentious or enigmatic characters are grounded and down-to-earth; they are real people. (And the ones that already "live in the real world" are refreshingly direct.) They speak a poetic truth and then zing each other with sharp realities. Long story short, this is a terrific play... not just about sisterhood but about accountability, expectation and disillusionment. It's also insanely funny. ”

“ This play is equal parts funny and gorgeous! Coming from a family whose default setting is gallows humor, I'm a sucker for stories about grief that are also funny. This piece captures the petty territorialness of mourning as well as the need to believe and even control our concepts of the afterlife. Two sisters, a representationalist/spiritualist and a literalist/pragmatist discuss their parents' postmortem existence now that mom has finally "followed" their interaction sums up every ridiculous, testy, absurd and ultimately freeing conversation siblings have during fresh grief. Seriously, I had flashbacks. This is a gem. ”