“ THE MAN WHO SHOT HITLER is a sharp-witted two-hander with (un)surprising contemporary relevance. The open ending leaves room for directors to play, which is always welcome. This play is a great example of McKnight's signature style - dark, farcical, and fantastic. ”

“ Clever, relatable, & wonderfully irreverent. I especially appreciate the moment at the end between Mary and Joseph as consider their son’s future the way all parents’ must - with both hope & trepidation. ”

“ Oh my heart! This is one of the funniest, most endearing scripts I’ve read in a long time. Kaplan’s work serves up wonderful word play with fantastic physical humor, all while cutting to the heart of human loneliness. Highly recommended! ”

“ The style of Donna Hoke's TEACH highlights the complexities of relationships that sit right on that borderline between "ok" and "not ok" - and drives home the realization that when you're that close to the line, you've probably already crossed it. The staging in incredibly interesting and sends a strong pointed message about the way power can be abused, regardless of gender or sexual orientation. ”