Recommended by Rachel Luann Strayer

  • Rachel Luann Strayer: TEACH

    The style of Donna Hoke's TEACH highlights the complexities of relationships that sit right on that borderline between "ok" and "not ok" - and drives home the realization that when you're that close to the line, you've probably already crossed it. The staging in incredibly interesting and sends a strong pointed message about the way power can be abused, regardless of gender or sexual orientation.

    The style of Donna Hoke's TEACH highlights the complexities of relationships that sit right on that borderline between "ok" and "not ok" - and drives home the realization that when you're that close to the line, you've probably already crossed it. The staging in incredibly interesting and sends a strong pointed message about the way power can be abused, regardless of gender or sexual orientation.

  • Rachel Luann Strayer: What the Mind Forgets

    Haunting, poignant, lovely, and painful. I would love to see this piece performed.

    Haunting, poignant, lovely, and painful. I would love to see this piece performed.

  • Rachel Luann Strayer: Ghosts of Bogotá

    A challenging, thought-provoking piece that deals not only with the repercussions of abuse, but with the question of what we inherit from those who came before. Surprisingly funny, but also tender, lyrical and moving.

    A challenging, thought-provoking piece that deals not only with the repercussions of abuse, but with the question of what we inherit from those who came before. Surprisingly funny, but also tender, lyrical and moving.

  • Rachel Luann Strayer: black kitchen sink

    A compelling and poignant family drama that wrestles with abuse and the culpability of those who knew and did nothing. The more I got to know this family, the more I felt like I knew them already. I hope it's staged soon and often.

    A compelling and poignant family drama that wrestles with abuse and the culpability of those who knew and did nothing. The more I got to know this family, the more I felt like I knew them already. I hope it's staged soon and often.

  • Rachel Luann Strayer: Restoration Parts

    The burden of being sexually abused, assaulted, or raped at a young age is not easily understood by people who haven't experienced it. Duane cuts deep with her criticism of the way we treat abuse victims and shines a fractured light on way that the people who were supposed to take care of us can instead turn our tragedies into their own. Restoration Parts is an important story filtered through a lens that is surreal, even at times absurd, but an stronger story because of the way it is told. An excellent, disturbing play.

    The burden of being sexually abused, assaulted, or raped at a young age is not easily understood by people who haven't experienced it. Duane cuts deep with her criticism of the way we treat abuse victims and shines a fractured light on way that the people who were supposed to take care of us can instead turn our tragedies into their own. Restoration Parts is an important story filtered through a lens that is surreal, even at times absurd, but an stronger story because of the way it is told. An excellent, disturbing play.

  • Rachel Luann Strayer: Things I Don't Want to Talk About: a hero(ine)'s journey

    Femia's voice is bold and vulnerable as she explores the depths of her past in an effort to save valuable pieces of herself that she feared might be lost forever. A powerful odyssey of healing.

    Femia's voice is bold and vulnerable as she explores the depths of her past in an effort to save valuable pieces of herself that she feared might be lost forever. A powerful odyssey of healing.

  • Rachel Luann Strayer: THE LAST DATE

    It's amazing how quickly Goldman-Sherman is able to create doubt in the mind of her audience when a date goes wrong in a very public way. A scathing critique of our hesitance to believe women who've suffered assault, even when it happens right in front of our eyes.

    It's amazing how quickly Goldman-Sherman is able to create doubt in the mind of her audience when a date goes wrong in a very public way. A scathing critique of our hesitance to believe women who've suffered assault, even when it happens right in front of our eyes.

  • Rachel Luann Strayer: Pussygrabber

    Visceral, real, and relevant. This monologue captures not just a personal moment for the teller, but a universal moment for many of the women in our country. I hope, after January 20th of this year, that Femia has the opportunity to write a follow-up that brims with victory and healing and hope. For now, this brilliant and painful piece has left me gutted.

    Visceral, real, and relevant. This monologue captures not just a personal moment for the teller, but a universal moment for many of the women in our country. I hope, after January 20th of this year, that Femia has the opportunity to write a follow-up that brims with victory and healing and hope. For now, this brilliant and painful piece has left me gutted.

  • Rachel Luann Strayer: No Bikini

    Witty and dark, NO BIKINI makes me want to cheer and scream at the same time. Jess is everything I want in a friend, but the battle she has to wage in order to protect herself and her friend is hellish and all too real. I wish I could buy a "No" bikini for every college girl who wants one...and get them a couple of bodyguards too.

    Witty and dark, NO BIKINI makes me want to cheer and scream at the same time. Jess is everything I want in a friend, but the battle she has to wage in order to protect herself and her friend is hellish and all too real. I wish I could buy a "No" bikini for every college girl who wants one...and get them a couple of bodyguards too.

  • Rachel Luann Strayer: Mirrors

    MIRRORS is a poetic gut punch that juxtaposes sweet, nostalgic images with the brutal horror of remembered rape. Adding to its sharpness is the cruel reality that those who struggle to believe us are often the ones who have the greatest reason to, because once upon a time they lived the same thing and were silenced.

    MIRRORS is a poetic gut punch that juxtaposes sweet, nostalgic images with the brutal horror of remembered rape. Adding to its sharpness is the cruel reality that those who struggle to believe us are often the ones who have the greatest reason to, because once upon a time they lived the same thing and were silenced.