Lucy spends her days being tormented and mocked and ghosting through the halls of her high school. At 16, she's come to believe her life will never get better. Her grandmother, Ruth, knows something is wrong, but can’t bridge the gulf between herself and her quiet granddaughter.

Then Jenny arrives--a California transplant so out of place in the rural town that she draws everyone’s eye. That includes Hunter, one of Lucy's regular tormenters, who immediately becomes infatuated with the newcomer. But Jenny has problems of her own—a manipulative ex-boyfriend and a reputation she's trying to escape.
When Lucy nearly drowns during a trip to a forest lake and Jenny saves her, Lucy finds a new reason for living.

But unbeknownst to Lucy, there’s an old evil living in that lake—something that finds a home in Lucy. Soon, howls are being heard from the forest and night, and Lucy dreams of chasing things through the forest; dreams where it’s someone else who’s the prey. Also, her feelings for Jenny grow from fascination to infatuation to something deeper.

Hunter makes the first move on Jenny, and Ruth is hospitalized after a heart attack, which pushes Lucy to embrace the monster growing inside her. The play reaches its climax at the Halloween dance, where Lucy takes revenge on everyone who ever tormented her.

A bloody deconstruction of Little Red Riding Hood, the play takes the familiar elements of werewolves, teen lust, and high school bullies, experimenting with the question of just who’s the victim and who's the monster.

Faced with impending prosecution, Andromeda's parents have sacrificed their only daughter to the powers that be in the hopes of holding on to their criminal empire. Sitting across an interrogation room table from Percy, a hard-nosed police officer who blames her parents for much of what's wrong in rural Stagger County, Andromeda has to choose between remaining loyal to her family or telling Percy everything he wants to know. As she tells her story--one filled with fallen heroes, capricious gods, and lonely minotaurs--the line separating hero from villain begins to crumble and Percy learns that this damsel in distress is anything but. A crime noir tale set against a myth-infused Southern gothic landscape where everyone is suspect and no one emerges unscathed. Single set; minimal tech; approximately. 60 minutes

Before he became the blind seer tasked with bearing other people’s bad news, Tiresias lived an epic tale all his own. After an affair with a priestess of Hera ends in disaster, turning him into a fugitive, he thinks he understands the meaning of tragedy. But when Hera catches up with him, and curses him to live life as a woman, he discovers he doesn’t know the first thing about sacrifice. A reimagining of ancient myth, WE TIRESIAS tells the story of one soul trying to escape the whims of the gods.

Elsie and Abby have led a hard, strange childhood, secreted away in the remote town of Ellery Hollow. Orphaned at a young age, they face a populace that hates and fears them, and the only people that understand or care for them are those few who are even more of an outsider than they are. But Elsie and Abby have learned to cope by translating their lives into a series of tall tales: from their impossible birth to their adoption by the strangest of caretakers, to an eventual confrontation with the Hairy Man of the Forest—a terrible creature with a secret that threatens to destroy their tiny family.

In a country coming out of a long war, there’s a small town: isolated, battered, and on the losing side. Here, courage does not come from the heart, but is picked and processed and sold by the ounce. But this town’s Courage ran out long ago. And now its citizens are being forced to take refugees into their homes–people whose country their soldiers were fighting just a few months ago. Winners and losers–the dead, the living, and the lost–will be forced to overcome their fears. Or let the war begin again.

Originally developed with Imagination Stage's New Works Performance Ensemble and later adapted for The Theatre Lab School of the Dramatic Arts teen program, this play has had multiple productions using an all-teen cast. The role of Jackie, though referred to as "Mom" by her daughter can be, and has been, played as a man.

Standing in their backyard, staring up at a winter-clear sky filled with stars, Charlotte and Tara listen to a recording of their unborn baby's heartbeat. Recent tragedy has turned joy into heartbreak and the two struggle with how to take the next impossible step forward.

Naomi Birdsong-Schultz, daughter of a lapsed Jew and a half-Ute flight attendant, is a brilliant 16-year old searching for her place in the world. When her usually peaceful sleep is plagued by images of her long-dead grandfather, she turns to her online friends for help. This begins a journey through the world’s creation myths and into Naomi’s own history. But one of her cyber-friends isn’t who he says he is, and is determined to force Naomi to answer those difficult questions and face her fears about growing up.

When Mister Taylor moves into his new room at Pleasant Acres, he finds a retirement home under siege. The villains come in the form of obnoxious residents and uncaring staff. When asked to help do something about it, he has to find a way to replace his lost strength and speed with hard-won cunning and guile.

An adaptation of the German fairy tale, The Valiant Little Tailor, for seniors.

It's lunch break during tech weekend and the children of the cast and crew take over the empty stage to put on a show of their own. A sharp-witted, family-friendly dissection of the stereotypes and conceits of modern theatre that highlights the gulf between putting on a play and the simple joy of playing.