Mercilee Jenkins

Mercilee Jenkins

Mercilee Jenkins is an award winning playwright, poet and fiction writer. Her ten-minute plays, Winning and 50 Love Letters, were winners in the Redwood Writers Play Contest and presented at their Annual Play Festival in May at the 6th Street Playhouse in Santa Rosa, CA. Actors Theatre of Santa Cruz, CA also selected Winning for production in their 2015 Festival. Her full-length play, Spirit of Detroit, was...
Mercilee Jenkins is an award winning playwright, poet and fiction writer. Her ten-minute plays, Winning and 50 Love Letters, were winners in the Redwood Writers Play Contest and presented at their Annual Play Festival in May at the 6th Street Playhouse in Santa Rosa, CA. Actors Theatre of Santa Cruz, CA also selected Winning for production in their 2015 Festival. Her full-length play, Spirit of Detroit, was produced in Detroit at The Wright Museum of African American History for Black History Month in February 2014 and premiered at the University of Michigan in 2013. Her full-length play, Ghosts of War received a professional staged reading at the Throckmorton Theatre in Mill Valley in 2012. She is also working on a new play entitled The House on Norfolk Street, excerpts of which were performed at Stage Werx and CounterPulse. Her short story, “The Day Mel Tormé Died” was published in the anthology, Sisters Born, Sisters Found. She is a winner of Poets Eleven, the citywide poetry contest in San Francisco for 2015 and published in the anthology of the same name. She presented her poetry in San Francisco’s Lit Crawl 2014 and at the Basement Series sponsored by the Writers Grotto. Previously produced plays include Dangerous Beauty: Love in the Age of Earthquakes and AIDS, A Credit to Her Country, The Two-Bit Tango, Menopause and Desire Or 452 Positions on Love, and She Rises Like a Building to the Sky. She has received grants for her playwriting from the Horizons Foundation, the Zellerbach Family Foundation, the San Francisco Arts Commission and the California Institute for Contemporary Art. She also co-edited an anthology of essays and performance pieces entitled Sexualities and Communication in Everyday Life. She has been a professor of Communication & Performance Studies at San Francisco State University.

Plays

  • Spirit of Detroit (Two Character Version)
    Spirit of Detroit takes place in Detroit from the late 1950’s to 2007, as recalled and experienced by Anthony, a black man, and Lucy, a white woman. They return to Detroit after a long absence to come to terms with what happened to them 40
    years ago. An art gallery serves as the frame for their memories of the past—their childhoods and their time together at the Algiers Motel during the riot/rebellion in...
    Spirit of Detroit takes place in Detroit from the late 1950’s to 2007, as recalled and experienced by Anthony, a black man, and Lucy, a white woman. They return to Detroit after a long absence to come to terms with what happened to them 40
    years ago. An art gallery serves as the frame for their memories of the past—their childhoods and their time together at the Algiers Motel during the riot/rebellion in 1967. Overlapping fragments of their remembered realities are expressed through projections displaying artwork and photographic images of
    Detroit. As they revisit their past through Anthony’s paintings, they come to a new understanding of their relationship to each other and the future of the City.
  • Spirit of Detroit (Ensemble version)
    Spirit of Detroit takes place in Detroit from the late 1950’s to 2007, as recalled and experienced by Anthony, a black man, and Lucy, a white woman. They return to Detroit after a long absence to come to terms with what happened to them 40
    years ago. An art gallery serves as the frame for their memories of the past—their childhoods and their time together at the Algiers Motel during the riot/rebellion in...
    Spirit of Detroit takes place in Detroit from the late 1950’s to 2007, as recalled and experienced by Anthony, a black man, and Lucy, a white woman. They return to Detroit after a long absence to come to terms with what happened to them 40
    years ago. An art gallery serves as the frame for their memories of the past—their childhoods and their time together at the Algiers Motel during the riot/rebellion in 1967. Overlapping fragments of their remembered realities are expressed through projections displaying artwork and photographic images of
    Detroit. As they revisit their past through Anthony’s paintings, they come to a new understanding of their relationship to each other and the future of the City.