Recommended by Samantha Marchant

  • Only Child
    12 Oct. 2022
    The doubling of characters is so well done. The threat of what these relationships actually are is always bubbling at the surface making some great tension.
  • Into The River I Went
    11 Oct. 2022
    The tension and danger manifesting as the beast palpitates throughout. Information is promised early on, making me want to know more, and delivers in full.
  • The Brick
    10 Oct. 2022
    I relate to this hard - “And I was, like, I’m not a tote bag.
    But if I’m gonna be a tote bag, gimme the money.” I would love to experience a performance of this play/installation.
  • Under Cover of Darkness By the Light of the Moon, or "Nobody Was Supposed To Be Here" A Tale of the Pacific Northwest
    9 Oct. 2022
    Ha! What a creative turn from some awkward run-ins. I think this would be such a joy to see or produce.
  • Make My (sand)Wish Come True
    8 Oct. 2022
    The specificity in this script is fabulous - making it easy to picture the staging but with enough room for each production to make it their own. The ending is heartbreaking.
  • An Anatomy of Death and Existence: A Movement Piece for Three Women
    7 Oct. 2022
    This piece would be powerful to see on stage. I dig the repetition that shows the loop women are in.
  • HOMERIDAE
    6 Oct. 2022
    Thought provoking and lyrical. Each character provokes their own questions and feelings. A sharp play about classics, academia and race.
  • The Remarkably Unremarkable Crucifixion of Emma Reynolds
    5 Oct. 2022
    A perfectly paced, traumatizingly horrific, slow burn. Well done!!
  • Three Damned Letters
    4 Oct. 2022
    An intriguing exploration of families, houses and what it means to be a part of both.
  • SEEING EYE
    3 Oct. 2022
    A well sculpted three hander. I was invested in all the characters’ lives from the very beginning and I like where we leave off in the story. Reflection, growth and opportunity.

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