“ It's funny how an entire lifetime can change in a moment with what seems like a small decision, and Philip Middleton Williams has illustrated this idea in just ten minutes. What I appreciate about this ten-minute two-hander is how Philip handled the ambitious time-jumping on stage between four unique scenes with cinematic ease--it made the screenwriter in me smile. Another well-written triumph in the Philip Middleton Williams collection. My only question left is: which of their futures is real? (and I think that was the entire point!) ”

“ The battle every writer faces when creating a holiday play is: How do I write something that hasn't been done before and doesn't feel schlocky and manages to be a worthwhile work of art? To this writer, I say: look no further than Dana Hall's MY KIND OF CHRISTMAS! Dana is exactly the kind of writer up to this task, filling the pages with her trademark dry sense of humor, unabashed joy, and some unexpectedly pointed familial existentialism especially the commentary on the nature of traditions evolving. Highly recommended to become the newest perennial holiday favorite! ”

“ I had the pleasure of seeing this piece performed in its rolling world premiere at NJ Rep this past weekend! Inda Craig-Galván has written four well-rounded, nuanced characters colliding in an often funny, hard-hitting skewering of how classism and racism manifest within factions of the African-American community. This piece's strength is in its dialogue, and Patricia serves as an exceptionally human antagonist. I have no doubt this piece will become a standard in black box theaters across the country and world, deservedly so! ”

“ "As long as you can forget the actual reason for the holiday, you can sell anything!"

Philip Middleton Williams has crafted a funny, cynical peek inside the heads of ad executives planning the Christmas season. Williams is especially gifted at creating a fully lived-in scene in his plays of any length or genre, and Christmas Commercial Conspiracy is exactly that. Great work! ”