“I think it is absolutely brilliant. It was fascinating to me because of course I was a part of it, but it was the appeal that 'Gypsy" has that [Doug] capitalized on and brought forth in a very delicious way.”
– Lane Bradbury, Dainty June in Gypsy, 1959

Who has the right to tell your story? Especially when it's the same story told from the differing memories of two legendary show business siblings? And one sister's version is about to become a big, Broadway musical that is also destined to become legendary? June Havoc was famously ambivalent about the show Gypsy, which her sister, the burlesque star Gypsy Rose Lee, referred to as her legacy. And in Fable, which is itself a fable about the creation of that musical fable, the sisters' loyalty to each other is tested in a mounting battle that takes place in rehearsal rooms, dressing rooms, onstage, backstage, and all in the memory of the aging Ms. Havoc as she faces her imminent death, still battling with fiction and truth in order to keep her own legacy alive.

Semi-Finalist, Eugene O'Neill Playwrights Conference 2021
Listed on Ken Davenport's "Producer's Pick List" as one of the top ten plays of 2019.

One-Act comedy/drama. Development at ESPA/Primary Stages (with Rogelio Martinez), Davenport Playwrights Workshop (with Eric Webb), and in workshops with playwright Karen Hartman.

REVISED/EDITED FOR RADIO/PODCAST (Link to the stream in "Music Samples" below.)

This fast-moving comedy follows art director Kyle as he tries to discover his real self amid the power struggles and skewed priorities of a high-powered New York ad agency. After an office restructuring puts him in a new creative group run by the megalomaniac homophobe Kate, he finds an unlikely ally in copywriter Dodo, a living-legend from the era of “Mad Men” who not-so-gently prods Kyle to the uncomfortable but inevitable realization that “It’s time to take off. And soar.”

"We had our annual Playwrights Retreat where we read ...NELL DASH... It was the highlight of the weekend. ... there is a great deal of comedy coming from every corner of the dingy world it so effectively creates."
– Kim T. Sharp | [Former] Associate Artistic Director, Abingdon Theatre Company

In the alternate London of 1820 during the reign of King Stanley V8, Elinor and Marianne Wood, the illegitimate daughters of Sir Henry Dashwood and his cook, have become Nell Dash and Nance. They find themselves whirling up against Fagin, The Artful Dodger, Miss Havisham, Celia and Polly Peachum, and a barber named Todd, among many others. Their vile half-sister-in-law Lady Fanny Ferrars Dashwood, stops at nothing to keep them from getting a single penny of the fortunes accrued from the Dashwood Meat Packing Empire whilst at the same time trying to attain the two strands of pearls given the girls when they fled Devonshire years before, pearls which have mysteriously disappeared and have a strange history of their own.

Full-length comedy/satire.

Early Draft. Looking for development opportunities. If interested request a copy.

Foreign exchange student Anna thinks meeting egg broker Eileen to be the luckiest break she could have as a struggling actress in Hollywood. And when Anna proves to be quite fertile, the unscrupulous Eileen begins shopping her around for donation after donation. But – as Anna recounts to Hella, a court-ordered therapist working through her own personal crisis – when Anna's fertility begins to decline, both she and Eileen react in ways that have devastating consequences for both of them.

Inspired by the memoir "Confessions Of A Serial Egg Donor," by Julia Derek.